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LILY TOMLIN MARRIES PARTNER JANE WAGNER - AND OFFERS SOME "COMING OUT" ADVICE

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Lily Tomlin and Jane Wagner get hitched

Emmy-winning couple Lily Tomlin and Jane Wagner got married on New Year's Eve. Tomlin, 75, and Wagner, 78, have been together for 42 years.

The wedding, reported by columnist Liz Smith, does not come as a complete surprise: Just before the US Supreme Court struck down California’s marriage ban last June, Tomlin said she and Wagner – author of The Search for Signs of Intelligent Life in the Universe, The Incredible Shrinking Woman and other Tomlin vehicles – might get married.

A few years ago, I asked Tomlin– who had spent much of her career publicly closeted – what she would tell  gay actor or performer seeking advice about coming out.

 “I wouldn’t know what to say, other than it would be wonderful if it didn’t mean anything,” Tomlin told me. “But if they’re completely gay-identified in their performance, or speaking to issues of sexual identity, I suppose it would be fine. I would want them to be out so they could be themselves but it depends on how ambitious they are. My story is relative to the times. Jane and I were out, but we never called a press conference. In those days the press also didn’t write about [our personal lives]. And truthfully from my heart, I didn’t encourage them. It was the ’70s. But I don’t know what would have come of it if I had. It could have been great. I mean, Time magazine offered me the cover in 1975 if I came out and Ellen [DeGeneres] came out on the cover 20 years later. She was the right person at the right time.”

Congratulations to Lily and Jane for tieing the knot!

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THE NIGHT CONRAD BLACK VISITED MONTREAL GAY LEATHER BAR TRUXX

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Le Journal de Montreal's front-page coverage of the police raid on Truxx and Le Mystique


The historic Montreal police raid on gay leather bar Truxx in the wee morning hours of October 22, 1977, was the largest mass arrest in Canada since the War Measures Act. Police charged 146 men with being found-ins in a common bawdyhouse. Police also simultaneously raid the neighbouring gay bar le Mystique.

“More than 50 uniformed and plainclothes police from the divisional morality, mobile and technical squads carried off the raid” in the early morning hours of Oct 22, The Body Politic reported. “The heavily armed members of the technical squad entered with bullet-proof vests and at least two machine guns.”

The 146 men arrested were held for up to 15 hours at police headquarters “while ‘compulsory’ VD tests were administered.”
Andy Warhol's portrait of Conrad Black

The next night over 2,000 LGBT people blocked the corner of Ste-Catherine and Stanley in protest, and a few weeks later, on December 15, 1977, Quebec’s National Assembly passed Bill 88, banning discrimination based on sexual orientation in Quebec's Charterof HumanRights and Freedoms. The law also made Quebec the second jurisdiction in the world (after Denmark) to forbid discrimination on the grounds of sexual orientation

Truxx was also the site where my first mentor, the late Nick Auf der Maur— famed Montreal boulvardier, former Montreal city councillor, columnist for the Montreal Gazette and the father of Melissa Auf der Maur(rock star with Hole and Smashing Pumpkins) — brought his old friend Conrad Black, the conservative Canadian-born former newspaper publisher, historian, author, columnist and convicted felon (in the United States, for fraud).

Nick gleefully recounted to me for my Three Dollar Bill column the time he bumped into Black in downtown Montreal one day in 1978, not long after the Truxx police raid.

“Let’s go for a drink,” Black suggested.



January 22, 2014: The façade of the historic Stanley

Street building that used to house Le Mystique,

Truxx and the Stanley Pub, has been torn up.

Inside the building has been gutted.

(Photo by Richard Burnett)
“I know just the place,” Nick replied., then mischievously led his old friend to the Truxx leather cruising bar above the Stanley Tavern when Montreal’s gay district was still downtown.

“Are you taking me to Sodom and Gomorrah?” Black snapped. “Let’s go to the Ritz!”

Just then a bouncer slid open the peephole and eyed Black in his pinstriped suit. “You can’t come in here,” the bouncer spat.

Nick laughed. “Then Conrad slipped into civil libertarian mode and said, ‘What do you mean I can’t come in here!’ So I pulled out my city councillor’s card and got us in,” Nick told me. “After a drink I offered to go to the Ritz, but Conrad said, ‘No! Let’s have another drink here!’

“He hates it when I tell that story,” Nick added.

Which is why it is worth repeating again and again.

Click here for CBC TV video footage of the Truxx raid and aftermath.

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MIKA CELEBRATES MONTREAL, FREDDIE MERCURY AND GAY LIBERATION

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“Sexuality and identity have been the ingredients of my music and lyrics since the beginning.”
 UMG recordings

This interview with Mika originally ran in Daily Xtra on June 18, 2015
The tabloids have been obsessing over Mika’s sexual orientation ever since the British-Lebanese pop star exploded on the charts in 2007 with his debut album, Life in Cartoon Motion. To the surprise of no one, Mika came out as gay in 2012. But just three years earlier, when I first interviewed Mika, his handlers warned me to avoid personal questions and stick to the music.

So instead, Mika and I had talked about another closeted pop star, the late Freddie Mercury. It was like we were talking in code. Imitating Mercury from the famous backstage British TV interview on the Queen —We Will Rock You: Live in Montreal 1981 DVD, Mika turned to me, legs crossed and, pretending to hold a cigarette, did his finest imitation of Freddie Mercury. “Yes, dahling,” Mika said à la Mercury. “Hello, dear!”

Following three sold-out concerts with the Montreal Symphony Orchestra (OSM) earlier this year, I sat down with Mika to talk about his new album and his obsession with Freddie Mercury.

The emotional centerpiece of your new album No Place in Heaven is the beautiful ballad “Last Party,” an ode to Freddie Mercury. The last time I saw you, you imitated Freddie backstage on the Live in Montreal DVD . . .
MIKA snaps selfie with Bugs

Yes! I remember — that interview is something straight out of Absolutely Fabulous (laughs). The song “Last Party” started with this idea that I had, when Freddie Mercury found out that he had AIDS, he closed himself up in a nightclub and had a crazy party for three days, with drugs and everything. It was the worst possible thing to do after discovering that kind of news, but that’s what he did. That’s why that song is called “Last Party,” and it’s one of the saddest songs I’ve ever heard.

You performed three sold-out nights at the Maison Symphonique de Montréal, performing newly-orchestrated interpretations of your songs with the OSM. How much work was it and will you release a live album?

We prepared for the Montreal concerts for six months. It was a long process: [orchestrator and conductor] Simon [Leclerc] got it, he listened to every single granule of everything I had ever done. Then on opening night I wasn’t nervous. I felt elation. There was new blood pumping through my veins because I was doing something that was now beyond my control. It’s like being a kid again. It’s like being on a trapeze or a high-wire with no safety net beneath you. It’s this incredible thing. You see it in classical music too: 110 people onstage together in exactly the same headspace. We recorded every single note on 100 channels and are planning to release an album of the shows.

You were back in Montreal this summer for two more concerts at the jazz festival. Montrealers love you. Why do you love Montreal?http://servedby.pinktriangle.ca/lg.php?bannerid=8771&campaignid=2536&zoneid=296&loc=http%3A%2F%2Fwww.dailyxtra.com%2Fcanada%2Farts-and-entertainment%2Fmika-channels-freddie-mercury-new-album-109516&referer=https%3A%2F%2Fwww.google.ca%2F&cb=742204ebf6

I enjoy Montreal because it’s an easy place to be creative, it has all the good sides of North American culture as well as French and European culture, yet it is not in the shadow of the United States, which I think is great. It is a place that has fought to preserve its cultural identity and by doing so procures culture. The first response you get when you come up with a crazy idea in Montreal is not “no” but “maybe.” And that’s pretty great. That’s why crazy things come out of this town.

How difficult was it to negotiate the showbiz closet before you publicly came out as gay in 2012?

Things take time. From the viewpoint of the press and the veil of marketing — external things — you can often forget that things take time. There is a personal side to every story. How do you deal with something publicly when you don’t deal with it personally? That should be the last thing you do, if you’re not dealing with it. Otherwise you fuck yourself up and you end up in a really dark place.

One thing I will say and said even back then — and nothing has changed in this respect — is that the concept of coming out is a very dangerous one because it is not the most in-depth thing. It’s like a firecracker that goes off. Then what happens afterwards? Sexuality and identity have been the ingredients of my music and lyrics since the beginning. It was always there. It’s just that my figuring out was done in a different way and under a lot of pressure, a lot of negative pressure, which was the worst possible thing that could be done. What was the point?

LGBT activists wanted you to be a posterboy.

But they already had me. Just read my lyrics. I’m still very private about my private life. Developing a sense of candidness takes time.

Are you happier today than you were five years ago?

I was happy then too. Then, as now, I have the privilege of doing what I love. I’m really happy that I have the freedom to deal with the concept of sexuality, labels and breaking those preconceptions and how you are supposed to deal with it. I gave myself that freedom.

FOLK ICON PENNY LANG ON COMING OUT, JANIS JOPLIN AND LEONARD COHEN

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"I think you become a legend after living all your life and I haven’t lived all my life yet. I’ll be a legend when I die."Photo courtesy Borealis Records

This interview with Penny Lang originally ran in Three Dollar Billon May 4, 2006

Montreal folk singer Penny Lang was going to teach Janis Joplin how to play guitar back in the fall of 1970. But Janis died on Oct. 4 of that year at the Landmark Hotel during the L.A. recording sessions for her album Pearl, and Joplin’s keyboardist Ken Pearson, a Montrealer who was the love of Penny’s life, returned home without Janis.

"Once I spoke with Janis on the phone," Lang recalls. "I was in pretty bad shape. I’m bipolar and I’ve had some rough periods. I take lithium now but back then it wasn’t legal. I was looking for Kenneth and Janis was great."

Lang had two things in common with Joplin – Ken Pearson, of course, and that they both loved women.


Today, Lang lives in a B.C. sunshine coast trailer park with her female partner of 19 years, and she has at last found real stability. "I’m not a big-city person," Lang says. "I lived all my life in Montreal but I don’t miss it. I like being surrounded by the trees, the birds, the bears and the eagles."

Lang first emerged on the North American folk-music scene in the 1960s and played all the prestigious folk clubs. Following her 1988 and 2000 comebacks (the latter after suffering a stroke), she was hailed by The Globe and Mail as the "first lady of folk" and by The Toronto Star as a "folk/blues legend."

But Lang says, "I think you become a legend after living all your life and I haven’t lived all my life yet. I’ll be a legend when I die."

Whether Lang likes it or not, she is a folk icon and she’s back in the saddle with her just-released terrific new album Sand & Stone & Sea & Sky, which features such musical guests as Kate McGarrigle (who is also the mom of Rufus Wainwright), Ken Pearson and Lang’s own son, guitarist Jason Lang. The album was recorded in NYC and was produced by Oscar- and Grammy-nominated producer Roma Baran.

Lang will perform tracks from the album on a promotional tour that brings her back to Montreal on May 13. And just in time too, because Lang could use a bit of cash: "I wanted to see Taj Mahal and Mavis Staples [in Vancouver] last week," Penny says, "but I was broke, man!"

While Lang is back on the road, one place she won’t be performing any time soon is the famed outdoors Michigan Womyn’s Festival, the self-described "all womyn’s cultural event"– read: dyke – held each August since 1976.

"We have tried to get there and we have sent them stuff," Lang explains, "but I don’t write the radical lesbian stuff they want. I’m not really out there. I don’t write those kinds of songs [nor do I] live the kind of lifestyle that they want to put on display."

Mind you, I gotta say living in a trailer park in the B.C. wilderness is about as dyke as dyke gets.
Lang continues, "I would love to go to Michigan. As a gay woman singing I think I should have a shot. But lyrically I don’t think I’m there."

Lang has lived a full life, though, and has helped blaze a trail for other women, gay and straight.

"When I first fell in love with a woman, it just happened. I was not consciously aware of my sexuality. I had met some great guys in my life and fell in love with one man [Ken Pearson]. And the people I have fallen in love with since have been women."

That sometimes proved tough for her son Jason. "When his [childhood] friends found out his mom is a lesbian they taunted him. He had to learn how to deal with that. And he did. Punching them in the nose wasn’t dealing with it. He used humour in the end, but he was given a hard time up until university where his [new] friends thought that having a lesbian mother was fabulous. That was the turnaround. He talks about that. He’s a wonderful son, and we all have struggles no matter who our parents are."

As for Canada’s Tory government threatening to repeal same-sex marriage, the never-married Lang says, "I think human beings ought to be allowed to live their lives as they wish as long as they’re not stepping on anyone else when they do it. That’s that. I don’t know if equal marriage is a necessity in terms of legality, but gay people should not be crucified for wanting it. I think when we’re in love we reach different plateaus and sometimes one of those plateaus is you want to marry the person you’re in love with. So it’s not just a legal status, it’s also a feeling. Men have loved men forever, and women have loved women. It just wasn’t out in the open. Now learn to live with it."

There is one more tale about Lang I must share. While her father taught her to play guitar when she was just 10, and later Lang herself was supposed to teach Janis Joplin, Penny Lang was also once asked by Leonard Cohen to teach him how to play guitar. "Not today," Lang replied to Cohen. "I’m very depressed."

That was the last time they spoke. With Cohen now living in L.A. and Lang in B.C., Penny returns to perform in the city that made them both who they are.

"I have a love affair with Montreal," Lang says. "It’s my home. It will always be my home."

ONE-WOMAN PUSSY RIOT KATE CLINTON

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Coming out as a lesbian on stage is still a very political act – if it weren’t, more women would do it.”

This interview with Kate Clinton originally ran in the August 2015 issue of Fugues magazine.

I was checking out trailblazing queer stand-up comic Kate Clinton’s website the other day and came across some fabulous blurbs on her media page, by such LGBT icons as Lily Tomlin and Tony Kushner.

“Kate, you’re not showbiz – you’re show art!” Tomlin said, while Kushner observed, “Kate Clinton cuts through ten thousand miles of badness with a single brilliant insight, complete with punchline.” 

Then, tucked neatly between Tomlin and Kushner, I was surprised and delighted to read one of my own Three Dollar Bill column quotes about Kate: “The woman is a goddess.”


It’s no secret I worship the ground Clinton walks on: The former elementary school English teacher – with her always-reassuring voice – did stand-up for the first time in 1981 on a dare, and has since headlined nightclubs and festivals around the world, and always as a proudly out woman.

Without Kate Clinton, there is no Rachel Maddow, no Rosie O’Donnell (whom Clinton also used to write for on her old TV show), no out Lily Tomlin, no Ellen, no Gina Yashere or DeAnne Smith. As Kate herself once said, “Lesbian humour isn’t trying to sell anything, it doesn’t have to sell out. Coming out as a lesbian on stage is still a very political act – if it weren’t, more women would do it.”

I first met Kate – who turns 68 on Nov. 9 – when I hosted a public Q&A with her at Montreal’s downtown Chapters bookstore during her summer 1998 book tour for her first collection of essays titled Don’t Get Me Started. I was young and nervous and Kate – a personal hero of mine – put me at my ease and made me feel like a million bucks. “Richard – don’t stop!” Kate wrote in my copy of her book Don’t Get Me Started.

For nine years (until Montreal’s alt-weekly Hour magazine folded in 2011) I wrote my annual Kate Clinton column, a tradition that has migrated here. Earlier this month I caught up with Kate, who is headlining her all-new show Hello Katey! A One Woman Pussy Riot at the Crown and Anchor in Provincetown until Sept. 12.

On the eve of this summer’s Gay Pride parade in New York City, Kate, like other Americans, was celebrating the U.S. Supreme Court ruling legalizing same-sex marriage across America, not to mention the Stonewall Inn being named a historic landmark. 

“Pride this year was over-the-top!” Clinton says happily.

But now Kate is looking to the future and is excited by the prospect of Hillary Clinton becoming the next president of the United States.

“She and I both share the same last name and are the same age and I can tell you I am ready to kick some ass! She’s ready too,” says Kate. “In my lifetime I would like a woman president. There are many women stars coming up, but we need to get that first one in and I think Hillary can do it.”

Kate met Hillary Clinton a few years ago when Hillary was Secretary of State. “It was at a dinner and my dear partner [LGBT activist and author Urvashi Vaid] was talking to Hillary about international stuff, I think about child trafficking. And I sort of horned in and said, ‘Hey, this is what I’m worried about: I’m really worried about your jet lag! Every time I look at a plane I think of you!’ And she goes, ‘Tell me about it!’ In person she’s earthy and very real.”

Kate’s spouse Urvashi Vaid – currently Director of the Engaging Tradition Project at Columbia Law School’s Center for Gender and Sexuality Law, and who also serves on the Board of Directors of the Gill Foundation – won her recent battle with breast cancer.

In her June 2015 essay in the New York Times, Kate writes about the couple’s recent move to their new home: “The decision to move was chemo-induced. My dear partner had just finished a sabbatical from life-as-we-knew-it in Cancerland. It had been a year of diagnoses, mastectomies, chemotherapy, radiation and waiting rooms. Our large world had become small. As treatments ended and side effects lessened, life began to expand again. We re-emerged but did not trust our decision making: We who were adamantly for marriage equality for others, but absolutely not for ourselves, got married.”

“It’s now behind us, she finished the radiation two years ago,” says Kate. “Urvashi told me six months ago she finally feels like her old self. Then two months after that, I thought, ‘Wow, so do I!’ Many women go through it and I have a new and knowledgeable respect for the sorority of women who are going through breast cancer and how they take care of each other.”

Work helped Clinton get through the darkest days.

“That hour I was onstage was completely glorious because I knew what I was doing,” says Clinton.

This summer at the Crown and Anchor, Kate Clinton fans from across the country greet Clinton after each show. But the days of signing autographs are mostly gone.  “It’s all different now because everybody does selfies,” Kate says. “The days when they would just take photos of you were faster, but now they have to be in the pictures! Young people can do it in a nanosecond, but older fans – Oh my God!”

Kate and Urvashi are P-Town regulars and have bumped into many familiar faces this summer. “The wonderful John Waters flies by on his bike, Michael Cunningham is in town, and lots of Broadway babies have come to town, like Bernadette Peters,” says Kate. 

Clinton laughs when I jokingly ask her if gay hoteliers Ian Reisner and Mati Weiderpass – widely-derided by the LGBT community for hosting a dinner for anti-gay Republican Senator Ted Cruz earlier this year – have been spotted in P-Town. After all, in June, the Sip-n-Twirl gay bar in Fire Island asked Weiderpass to leave the premises, to the delight of the bar’s other patrons.

“I was just thinking this morning, wow, how out of it are they that they thought [hosting Cruz] wouldn’t be slightly offensive,” says Kate. “And their apology [to the LGBT community] was one of those that managed to say fuck you!”

That gay life is now widely accepted across North America has a lot to do with trailblazers like Kate Clinton. She points to “all of the people who took that step of coming out, then it just became a tipping point.”

But Clinton helped lead the way. When I ask her what it’s like being a living legend, Kate laughs, then says, “It’s always about the outfits, isn’t it?”

Then she adds, “I am so grateful that I have been a part of it, and that it became what we thought it could be.”

Kate Clinton headlines her all-new show Hello Katey! A One Woman Pussy Riot at the Crown and Anchor in Provincetown until Oct. 17. Surf to www.onlyatthecrown.com. Surf to http://kateclinton.com/ for more Clinton.

AN AUDIENCE WITH WANDA SYKES

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I sat down with legendary stand-up comic Wanda Sykes –who came out publicly in 2008 at a Proposition 8 rally In Las Vegas– on the eve of her 2015 Just For Laughs Gala in Montreal, to talk about her voice, LGBT civil rights and her white family. 
I’ve interviewed some very unique sounding voices over the years – James Brown, Cher, Joan Rivers. It is surreal to listen to your voice now. Have you always known you have a special voice? Do you deliberately try to use this to your advantage onstage?
Wanda Sykes:  I don’t deliberately try to use it in my stage act. I didn’t know I had a unique voice (for many years), but I did know it (sounded) different when I was a kid. My mother wanted me to change my voice. She’d say, ‘You have to do something about your voice! It doesn’t sound pretty! Listen to all the other kids, they sound nice, and then there’s you!’ I had no idea how I could change my voice. So I was always worried I had an ugly voice. I was an adult before I found out people liked my voice when I did stand-up or animated roles. I’m glad I never had any work done on my vocal chords. It’s kind of paying off for me. People love my voice and that’s cool.
My parents are a mixed-race couple. Your wife and children are white. What is like for you to witness the struggle from the inside?

I feel like a minority in my own home now. I talk about it a lot in my act, it’s just odd because I’m this strong black woman with historically black roots and all, I went to a historically black college and now I have a white wife and two white kids. I realize when I look around, I wonder, ‘How did all these white people end up in my house? What the hell did I do!’ Then again, my kids are so colour blind, you realize that’s how we’re supposed to be. When they are born, kids look at people as people. They don’t categorize like we do. I’m trying not to put my crap on them. It’s kind of hard because I see shit (in the world). But I am learning a lot (from my kids).


One of my favourite stories is the time writer James Baldwin was being interviewed by David Frost on TV. Frost Told Baldwin, ‘You were black, homosexual and poor. Didn’t you think you had everything going against you?’ And Baldwin replied, ‘To the contrary, I thought I’d hit the jackpot.’ Has Wanda Sykes hit the jackpot?
Hit the jackpot? Well, it depends on what the jackpot is. If I’m playing the nickel slots, I’d say yeah. But if we’re talking power ball, I have not hit the jackpot.
How awesome was Gay Pride week in June - the same week the Stonewall Inn was declared a historic monument, when the Supreme Court legalized same-sex marriage across America, and the White House was lit up in the Rainbow colours. What was that week like for you?
I was out in L.A. when it all went down and we all went to West Hollywood and it was a big street party! It really felt like the doors had opened up for us: ‘Hey, we’re part of this thing too.’ It really was all those words – awesome, emotional and overwhelming.
What was it like to host the U.S. National LGBT 50th Anniversary Celebration at Independence Hall in Philadelphia on July 4?
There were a few moments when I teared up a little bit. I didn’t realize I would get touched like that. Here it is, it’s the fourth of July, and in the back of my mind as I was getting dressed, I thought, ‘I should be putting on a pair of shorts, I should be a little drunk by now. In a couple hours I should have barbeque stains on my shirt!’ But instead there I was all dressed up in front of thousands of people, being dignified. But I was so happy I did it. When they did the reenactment of the (LGBT activists) marching (outside Independence Hall in 1965, in what was then the largest demonstration for gay equality in world history), it was really moving and I was very happy to be there

SANDRA BERNHARD: "MY WORK HAS TRANSCENDED GAYNESS"

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This interview with Sandra Bernhard originally ran in Three Dollar Bill on June 5, 2008
Sandra Bernhard, a Jewish girl in a land of whiny WASPs, knows what it’s like to hurt. That’s why she’s always told those who’ve mocked her to fuck right off.
In fact, she’s made a career of telling assholes to fuck off.
"Fish Lips!" Jerry Lewis used to call Bernhard on the set of The King of Comedy, the 1983 Hollywood blockbuster that made Bernhard a household name.
But like Bernhard once told Arsenio Hall, "I’m the only actress in Hollywood who didn’t pay to have these lips!"
Today the author and star of stage and screen, from the Great White Way to Tinseltown, named one of the 100 greatest stand-up comics of all time by Comedy Central, brings her new loudmouth act, Plan B From Outer Space, and her rock band, The Rebellious Jezebel, to Toronto’s Massey Hall to kick off that city’s Pride celebrations on June 22.
"Going through customs in Canada is one of the most loathful things in the world," NYC-based Bernhard told me this week. "They harass the shit out of you if you’re a single parent [travelling with your child]. They ask you, ‘Do you have a letter from the father?’ And I say, ‘There is no father!’ I want to say, ‘Fuck you, you fuck!’ They drive me nuts. So now I come up without [my daughter]. The bureaucracy in Canada is pathetic."

Putting up with ignorant customs agents is a lot like putting up with the douchebags on the comedy club circuit in the 1970s. Joan Rivers once told me about the sexist crap she especially put up with at the beginning of her career, and I ask Bernhard if it was any better for her.

"No, it’s never going to be easy for women. The [comedy circuit is a] sexist, male-dominated world. The only club I liked was Caroline’s [on Broadway in NYC's Times Square district]. She [owner Caroline Hirsch] was a woman and was cool to me. She didn’t give me a booking, then make me waste my entire night before putting me on stage after midnight or 1 a.m. after everyone had left the club, like [other club owners] did."
But Bernhard will only take this women-solidarity thing so far.
About Hillary Clinton, Bernhard quips, "She’s an ass. She blew it. And we needed a woman [in the Oval Office] right now. [On this campaign] the Clintons showed their true colours and I think they’re awful."
About America’s increasing obsession with celebrity – not to mention the terror trio of Lindsay, Britney and Paris – Bernhard says, "I stayed pretty true to my work and try not to get overexposed in tacky situations. It’s a brutal business, especially with the blogging on the Internet. So many actors have their heads up their asses. I don’t like the business but I like what I do as an artist. If people don’t get back to reading [books], I don’t see this [celebrity culture] changing any time soon."
Bernhard, who turns 53 on June 6, knows of what she speaks. There was a time in the 1980s when she and former BFF Madonna were insatiable tabloid fodder. To this day no one knows why they broke up – and Bernhard most certainly isn’t going to tell me – but I mention I have just one Material Girl question: Does she have Madonna’s new album?
There is a silent pause.
"No. I’m sure it’s entertaining," Bernhard replies drily.
If that sounds less than forthcoming, others have criticized Bernhard for refusing to publicly come out earlier in her career. But I ask our Queer Diva if, like Gore Vidal, she was simply post-gay before everybody else was. Or is coming out early in one’s showbiz career still the kiss of death?
"I think my work has transcended gayness," says Bernhard, who played memorable dykes in both the sitcom Roseanne and the Showtime drama The L Word. "It’s not about being gay. It’s about being in touch with stuff that’s smart and ironic. As for coming out, other actors are doing well. You can be didactic and obvious and say sexuality is fluid and do something more challenging. ‘Oh, she’s a lesbian!’ I’m not interested in playing that card."
And to prove it, in September 1992, Bernhard posed nude for Playboy.
But the workaholic can trace her work ethic and life lessons back to her stint on a kibbutz in Israel when she was 17 years old.
"That was a long time ago, when Israel really needed the kibbutz system to thrive," a wise Bernhard says today. "I had a great time. I met people from all over the world. I did what they wanted me to do and it taught me the value of hard work. I still consider myself a hard worker. Really, I get bored if I’m not working."

FELICE PICANO: AN AUDIENCE WITH THE GODFATHER OF GAY LIT

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This interview originally ran in the May 2015 issue of Fugues magazine

I met literary legend Felice Picano at a Montreal brunch hosted some 15 years ago by my friend Louis Godbout. That day I interviewed Felice for the first time and we became fast friends. I interviewed him for my annual Felice Picano column in my syndicated column Three Dollar Bill for a decade, a tradition I am continuing here in my Fugues column.

It never matters if Felice has product to sell – the world-class name-dropper and memoirist always is a great interview and has met just about everybody. Rudolf Nureyev once grabbed his bum, Felice had lunch in Fire Island one afternoon with Elizabeth Taylor, his cock was photographed by Robert Mapplethorpe, and when he outed the late Anthony Perkins years after their affair, critics screamed, “Picano is a name-dropping slut!”

In other words, I adore Felice, the trailblazing writer whom I call the Godfather of Gay Lit.

“I really did know everybody, but it was all happenstance,” says Felice, currently promoting his latest memoirs, the highly entertaining Nights at Rizzoli (OR Books) about the famed original New York City Rizzoli bookshop located at 712 Fifth Avenue.

That bookstore was opened in 1964 by Italian media mogul Angelo Rizzoli to present Italian books and culture to New Yorkers who flocked to the store when Felice worked there as a young man: John Lennon, Bianca Jagger (while “Mick would perch on those back stairs, perusing art books as he waited for her”), Elton John, Anthony Quinn and Gregory Peck. They all loved browsing at Rizzoli’s, not to mention Felice’s private customers Dali, Jacqueline Kennedy Onassis and her mother-in-law, Rose Kennedy.

“Everybody came to that bookstore because it was like being in a museum,” Felice says. “There was art everywhere, classical music was playing, it even had hanging chandeliers from Venice! The neighbourhood was no slouch either – Tiffany’s was across the street and Harry Winston Jewelers was next door. The bookstore was an artistic paradise.”


While independent and LGBT bookstores continue to close across North America, Picano says they are thriving in West Hollywood where he currently lives. However, during a November 2014 book tour of the American Northeast, Felice says, “I did many readings in libraries, senior centres, art galleries and a church. Books have diffused into our culture in way they weren’t 25 years ago when we only had readings in bookstores. It’s a good thing.”

Picano also writes in Nights at Rizzoli that he attended both the famed Monterey and Woodstock music festivals. “I had been to the Newport jazz festival but it was all brand new, nobody there knew what the hell a music festival was supposed to be. Woodstock, on the other hand, was very disorganized. I hitchhiked there! I used to live in an apartment in [Greenwich] Village, and a friend and I had no money, so we took the subway to the very last stop in the Bronx next to the Mosholu Parkway which connected to a road that went directly north. We got off – and we were very cute then, like 20- or 22-years-old and dressed like hippies  – and a truck stopped for us.”

Adds Felice, “I had heard there was a big gay scene at Woodstock, but I was hanging out with straight people and didn’t see any of it.”

Like most gay men, Felice enjoys his divas.

“I don’t know if it’s so much divas as we love people who stand out,” Felice explains. “Many people we call divas are stand-outs. Bette Midler will admit she was just a little girl from Hawaii, but when she came to New York and met two or three gay men, they sort of made her who she is today. They gave her the freedom to be her. Here was this little girl named Bette but deep inside her was the Divine Miss M. And I think gay men recognize that.”

Picano actually hung out with Midler one night after getting a midnight phone call from an old high school buddy, composer and lyricist Jerry Blatt, Midler’s long-time collaborator who would later succumb to AIDS-related lymphoma in 1989 at the age of 47.

They met at Reno Sweeney’s, the famed West 13th Street jazz club that was a hub of a cabaret revival in 1970s New York. “We sat around for an hour and I was about to leave. Bette was at the table and she said, ‘Oh, he’s here!’ And Bob Dylan comes in. He and Bette just got up and started singing! It was really interesting too, because she pulled all the sweetness out of him. He sang tenderly, sang beautifully with her.”

Another meeting with Midler was even more memorable, at New York City’s famed Continental Baths, where she performed with her pianist Barry Manilow in 1971, “There is some bootleg film footage going around which shows Bette pulling me out of the crowd and at some point – this was all set up beforehand by Jerry – she sort of sings to me, looks down at my crotch and says, ‘Oh, you’re disgusting!’ and pushes me back into the crowd because I had a hard-on at that point, but it wasn’t from her!”

Felice laughs.

“New York was so much fun back then, but it isn’t much fun today. It’s like London, it’s filled with too many people. Where do they all come from? I’m not used to jostling anymore,” says Picano, who turned 71 this past Feb. 22.

“I don’t enjoy [reading] performance as much anymore either. I pretty much only do it now with other [?riters on the bill], usually a local person. I was recently at the Tennessee Williams/New Orleans Literary Festival and there was one panel called “Don’t Quit Your Day Job,” and I said, ‘It’s a good idea to inherit a lot of money or marry rich.’ That way you aren’t tied to the wheel of fortune of being a published writer. Like many of us who earn a living now, we really are tied to it. I try to be honest about it so young writers aren’t deluded.”
Bugs with writers Suki Lee and Felice Picano
on a Lambda Literary Tour

Felice admits as a young man he trained to become a visual artist but only began writing after “he was sidetracked and hoodwinked into writing over a period of six years. Diana Vreeland would introduce me to people as a writer, and I had never thought of myself as such. After I interviewed her for a magazine story I wrote about Harper’s Bazaar, she told me, ‘You’re a good writer. Get away from that magazine and go write.’”

Vreeland’s advice marked a turning point, and Felice would go on to found two pioneering gay presses, SeaHorse Press and The Gay Presses of New York, which launched such writers as Harvey Fierstein, Dennis Cooper and Brad Gooch. Moreover, with Andrew Holleran, Robert Ferro, Michael Grumley, Edmund White, Christopher Cox and George Whitmore, he founded The Violet Quill, widely considered to be the groundbreaking gay-male literary nucleus of the 20th century.

“It was only when I started the Seahorse press in 1977 that I really started being openly gay,” Felice says today. “I would have had a very different career had I been a closeted writer – although I’m not sure how. When I met Truman Capote, one of the things he said to me was, ‘I admire you and Andrew Holleran for coming out right away and publishing gay material. Because the rest of us’ – he was talking about himself and other writers like Tennessee Williams – ‘it really destroyed us personally.’

“On the other hand, they had much bigger careers than we had because nobody knew they were gay and they weren’t pigeonholed. There are many, many awards I should have been nominated for and never was. There were many, many reviews that I should have gotten that I never got. It continues today. I’m resigned about it, but I feel good that my early books are still in print and still bestsellers. In the end, if the books last, that’s what’s important.”

Nights at Rizzoli by Felice Picano (OR Books) is available in bookstores now. For more, surf to Felice's website 
www.felicepicano.net.


ON THE ROAD WITH MELISSA ETHERIDGE, PLUS HER POOL PARTIES WITH ROSIE, ELLEN & KD

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Bugs’ interview with Melissa Etheridge originally ran in the October 2015 issue of Fugues magazine.
Three Dollar Bill: Your new album This Is M.E. is a departure for you. What did you want to do with this latest album?

Melissa Etheridge: The change started in 2013 when I changed management, agencies and lawyers. I changed my whole scaffolding. I needed fresh ideas. The music business was changing. I knew there was a place for me and a lot had to do with own creative independence. So we decided to release an independent record. That means I’m in total control. It’s all up to me. At that point I decided I wanted to go so far outside the box that people would say ‘Whoa, what’s this?’ Yet at the same time stay in the centre, so as to always be me. When you hear these songs, when you hear these great productions around them, you still hear my guitar, my harmonica, the words are mine. It’s me in a kind of new and different car.

What an incredible month June was for LGBT folks in America: The Stonewall Inn was declared a historic monument, the U.S. Supreme Court legalized gay marriage on June 26, and the White House was bathed in the rainbow colours. What was that week like for you?

I still get choked up when I think about it. It was a moment in a world where we are trying to change society’s hearts and minds. There have always been homosexual people in different cultures, and to think the U.S. Supreme Court said, ‘Boom! You can marry in all 50 states.’ That was a signal that we as a people have agreed that gay marriage is a human right. It puts people who have a problem with it, it makes it their problem. They can no longer dictate to us. And the rainbow colours (on the White House) announced it to whole world.

You crossed over bigtime during the early 90s lesbian chic period, with Cindy Crawford and k. d. lang on the cover of Vanity Fair, and Ellen DeGeneres’ 1997 “Yep I’m Gay” cover of Time. And in between it was all about you. What was that heady era like for you?

It was a very exciting time. Now that I look back upon it – we never knew it at the time, we were just scared and trying to make it in the entertainment business – at the time there were pool parties at my house with Rosie and Ellen and kd and all of us were hanging out. And we talked about what it might be like if we all came out. We were (already) so out within the industry and to all our friends that it just made sense that we would cross the line. We did. And each time we did it made us all reexamine our lives. In doing so, each of us united a whole community and hopefully gave other gays the strength to come out. Because that’s what changes the world, our coming out.

Your public coming was splashed across magazines and newspapers around the world. How difficult is it for high-profile celebrities like yourself and Caitlyn Jenner to maintain a modicum of sanity when the world is watching your every move?
The only way you can is to be confident in yourself. It really forces you to look at every choice you make. Everything you say. It’s taught me to be completely truthful and tuned into what I am representing in myself. You can’t be messy. You really got to be responsible otherwise it’s going to bite you. I have always tried to live that way. There are things I wish hadn’t been in the press, but there it is. You can’t just open up to the good stuff. 

I remember when you and Julie Cypher were on the cover of Rolling Stone in January 2000 with David Crosby, who is the father of your daughter Bailey and your son Beckett. Was your going public a way to manage the message?

Yes, for the safety of my children. This was at the turn of the century when all of a sudden the tabloid magazines really kicked into gear. Everything – the tabloids, the Internet – the whole game changed. I was never going to tell anybody who my children’s father was. It was none of their business. Yet secrets are what people are after now.

In October 2004 you were diagnosed with breast cancer, and underwent surgery and chemotherapy. Was breast cancer the biggest fight you ever fought in your life?

I don’t actually look at it as a fight, but as an awakening about my body. I have a holistic belief about my cancer. I believe deeply that it is a symptom of my body being out of balance. The cancer showed me I was out of balance in my diet, my stress. All of these things I had to change. And I did. I’m healthier now than I ever was, two years cancer-free. It was not so much a battle but a gift. It changed my life. I have never been happier and healthier.

You took home the Oscar for Best Song at the 2007 Academy Awards for your song I Need to Wake Up from the documentary film An Inconvenient Truth. What was it like to win an Oscar?

It’s as amazing as you think it would be. Your mind kind of goes woooooah. All dizzy and crazy. The high is still pretty great. 

What is the most funny or crazy or scary story you have of performing onstage?

I have so many. Each time someone asks me this question, my rolodex just goes brrrrrrr!!!! I have stories, from the time I fell off the stage...

Yes! Let’s hear that one!

Well it was in 1994, I was playing Jones Beach Amphitheatre in Long Island outside of New York City, there was 20,000 people and at the end of the show I was touching peoples’ hands and there was a clutch of people pushing forward. I got nervous and stepped to the side and right off the stage! My security guard just picked me up and put me back onstage. Then I said good night to everyone, embarrassed as hell. I had a huge bruise for a while.

This summer’s 40th annual Michigan Womyn’s Music Festival – called “the Original Womyn’s Woodstock” – was their last edition, after their controversial 2014 ban on trans women attending. Any thoughts?

Yeah, I think where the whole trans community is leading us is to an understanding that there is no solid line between male and female. There is a nature within each of us, each of us have male and female. We dial that knob and live our lives in that way. To understand that it is not the gender, it is the identity inside. In other words, I support trans women attending Michigan. To deny people because they were born with a male gender, that’s totally going against (what we stand for). We want to integrate the feminine in all human beings. We (also) want men to embrace it on all levels, to understand the feminine. That’s what is going to bring peace on Earth. And we got to start this with us. We have to be the ones who make the change. 



IDINA MENZEL 100% UNCENSORED - ON HER RISE, DIVAHOOD AND HER GAY FANS

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Bugs’ interview with Idina Menzel originally ran in the Montreal Gazette on August 31, 2015

Idina Menzel remembers the day she fell through a trap door onstage during her Broadway run as the “wicked” witch Elphaba in the blockbuster musical Wicked like it was yesterday.

The accident happened during the Jan. 8, 2005 matinée at the Gershwin Theatre, and stunned the cast, crew and sellout crowd.

“I thought I had punctured my lungs or something,” Menzel told me in a recent and rare one-on-one sit-down interview. “It was crazy and I was surrounded backstage by all the crew, who were my friends. They were trying to get me to breathe and were afraid to move me because they wanted to make sure my spine was OK. It was scary.”

Menzel fractured a rib. But the next day, without makeup and dressed simply in a tracksuit and sneakers, she made a surprise entrance at the very end of the matinée to sing a few bars in the finale, and received a five-minute standing ovation.
 
Clearly, the show must go on for Menzel, who is nothing if not well rehearsed. “I warm up with my voice teacher,” she said. “We treat (this tour) like an athlete trains for the Olympics. You don’t run a marathon coming out of nowhere. It’s important to train, especially for when you have a cold or you’re having a bad day. You have to be able to get up there on stage and still be powerful even if you’re not 100 per cent.”

Menzel first earned notice in 1996 in the Broadway musical Rent. She won a best-actress Tony Award in 2004 for playing Elphaba — a role she would reprise when the musical opened in London’s West End in 2006.

Superstardom came in 2013 when Menzel voiced the character of Elsa in the Disney movie Frozen, and she topped the charts with her Oscar-winning anthem Let It Go from the soundtrack.

When asked if she will star in the upcoming Broadway adaptation of Frozen, Menzel replied: “We’ll see if they want me to. They’re still working on the story, and I might be too old to play Elsa onstage.”

She credits her success to working as a wedding and bar mitzvah singer when she was a teenager. “You have to learn all kinds of music,” she said. “It really makes you a good listener. It also builds a thicker skin because you’re up there pouring your heart out and no one is listening. So I think a lot of who I am today, I learned from that experience.”

Menzel, whose musical theatre idol growing up was Barbra Streisand, has become a role model for a new generation of young girls who discovered her via Frozen.

“It’s beautiful, but also quite a responsibility,” she said. “It makes me need to be on my game and make sure that I am practising what I preach. I am out there singing about empowerment and accepting who you are, and what makes you extraordinary in this world. So I make sure I do that for myself. … I don’t want to be hypocritical. It’s a big responsibility, not just to young girls, but also to young boys.”

Menzel’s gay fans are also legion. Beyond her championing LGBT civil rights, what is it about her that they adore?

“That question is always one of the hardest ones for me to answer, because I’m not quite sure,” Menzel replied. “I think it’s partly the underdog characters that I’ve played — characters who overcome alienation or being ostracized, who overcome adversity to feel beautiful. Also, good big hair, a good big voice and a nice vibrato is always good for the gay community. I owe everything to my gay fans, ever since my Rent days.”

When asked if she is a diva, Menzel laughed and Googled a definition. “I’m not, in the negative context they use it these days. I hope I’m not,” she said. “I’m grappling with asking for what I need (to do my job) as a powerful woman in this world, because women get a bad rap when they stand up and speak for themselves. But I’m pretty low maintenance, I would say. It’s a balance. It all ties into Frozen and Elsa and not being afraid to embrace power and harness it, and know you can change the world.”

Night after night, show after show, Menzel is reminded of her dreams and aspirations. “I still like giving autographs to fans,” she said. “I remember when I was a little girl, I used to practise what my autograph should look like. So when young girls come up to me after a show, even if I’m tired or weary, I remember that.”

PORN MOGUL MICHAEL LUCAS ON PORN INDUSTRY, SEX AND THE MEN OF MONTREAL

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New York City porn mogul Michael Lucas, 43, isn't thinking about retirement any time soon (All photos courtesy Lucas Entertainment)

Bugs'interview with Michael Lucas originally ran in POP TART on the Montreal Gazette website on September 11, 2015.

Famed gay-porn director and adult-film actor Michael Lucas —born Andrei Lvovich Treivas in Communist Russia in 1972— emigrated to Germany after graduating from the Moscow Law Academy in 1994. He began working as an adult performer before founding his own porn production company, Lucas Entertainment, in New York in 1998. Today Lucas has become one of the most successful producers of porn, and has used his success and notoriety to —as a media columnist and university speaker— speak out against drugs, unsafe sex and the oppression of gays, as well as support the state of Israel. Lucas was in Montreal earlier this summer and Pop Tart caught up with the opinionated entrepreneur for a fun and frank Q&A about all things porn, PrEP, LGBT civil rights, and the raid by U.S. federal investigators on the New York headquarters of popular gay-male escort site Rentboy.com. Plus, Lucas talks about his love affair with Montreal.

Three Dollar Bill: When you started out in the porn business, did you anticipate that you’d have this incredible career and longevity?

Michael Lucas: I was definitely hoping for a long career, because I was young and ambitious. I don’t think I anticipated such a big success.  But I usually do achieve my goals, because I am very focused and hard-working.
 
Why you, and why not so many others in the adult-film industry?

Anyone can produce a movie, but you have to have business skills to make it work. Education is a plus. I know at least 20 porn stars that opened a company, produced a few films and unfortunately lost all their savings. Vision is important, but that’s only a small part of the recipe for success. The rest is business skills.
You got a law degree. What made you decide to get into porn?

After graduating, I moved to the West but was unable to work because I didn’t have the proper papers. I needed to start making money. I was young and had a high sex drive and someone told me that I had a big dick, so I decided to try my hand at porn.
Do you still enjoy acting / performing in your films?

Very much so. I love sex.
Do you see a time when you will “retire” from your on-screen roles, and continue working strictly off-screen? Have you given yourself any kind of timeline?

I didn’t give myself any sort of timeline. Age is just a number and I like the idea of defying age restrictions. I know incredibly hot men that are well past their 50s. It’s about leading a healthy lifestyle. Numbers don’t matter.
For many years you were vocally opposed to bareback sex in porn videos. Why did you change your mind?

I wrote an article on that subject for Queerty. The short version is, times have changed. When I was doing condom scenes, there were no other ways to prevent HIV transmission. Today we have more than just condoms: We have PrEP, which has been proven to work if taken as prescribed. A person with an undetectable viral load cannot give the virus to an HIV-negative person. I myself have been on PrEP for more than two years.

You produced the doc Campaign of Hate: Russia and Gay Propaganda. Why did you make this film? Do you see things getting any better for LGBT Russians in the foreseeable future?

I am very proud of that documentary and very excited that Netflix decided to show it. I grew up the Soviet Union and was a victim of homophobia myself. I have many gay friends there so I thought it was important to produce this film and help raise awareness of the mistreatment of LGBT people.

In fact, Russians bully, demonize and discriminate against not only gay people but anyone who is different. Russian people have been intolerant for centuries I see no reason to believe that will change. The West has no influence there. Russia resents everything progressive and that comes from the West as much as they did during the Cold War. While the Western world moves forward, Russia is going backward.
I’ve been to Israel twice, including for Gay Pride in Tel Aviv. What do you think about charges that promoting LGBT tourism in Israel is “pinkwashing”?
Israel is a very accepting and tolerant Jewish state of seven million people that is unfortunately surrounded by 350 million intolerant people. Their neighbors are threatened by the only democratic country in the Middle East. “Pinkwashing” is an anti-Semitic conspiracy theory that is created in order to smear and disregard the good that Israel is doing. I recently produced a documentary about the gay community in Israel. It is called Undressing Israel: Gay Men in The Promised Land.

What is at the core of your world view —your Jewish identity or your gay identity?

It depends on the circumstances. If I feel discriminated against for being Jewish, then Jewish becomes my first identity; if I encounter homophobia, then my gay identity comes first. But I do not identify myself as just Jewish or gay. I have many identities, one of which is being an American patriot, and that becomes my first identity when I encounter any form of anti-Americanism during my travels.
How did you feel when The New Republic dubbed you “Gay Porn’s Neocon Kingpin”?

I still do not know exactly what that means, but I enjoyed reading a profile about me in one of the oldest political magazines in America.
Any thoughts on porn director Chi Chi LaRue checking into rehab?

Chi Chi has been fighting addiction for many years and I hope she will beat it this time. I know it is not easy; my ex-boyfriend has been in recovery for four years and there are days that are really hard. It is a daily struggle.
Some people think young porn stars are more susceptible to the ravages of the fast life in the porn business. What do you think?

Yes, but same goes for show business in general. Just look at mainstream celebrities. Many are in and out of rehab all the time.
What do you think of the police raid on Rentboy.com? Was it a homophobic action?

Maybe, but straight escort companies are raided as well. It’s infuriating that Homeland Security decided go after harmless sex workers instead of putting that time and money toward keeping us safe from terror attacks. I pay lots of money in taxes, and I hate seeing it funding pointless efforts to prevent people from choosing what to do with their bodies.
You were in Montreal this past summer. Why did you visit the city, and what do like about the city?

My best friend decided to celebrate his birthday in Montreal and a bunch of us spent a weekend in your beautiful city. It was not my first time visiting and I am sure it will not be my last. I love your old streets, the open-mindedness of your people and how gay and straight couples enjoy summer concerts together at Place des Festivals. You have lots of great art and culture and amazing food.
How sexy are the men in Montreal?

Very sexy! And they speak French, which makes them even sexier!
What new projects have you got in development, and is a memoir in your future plans?

My forties have been the best time of my life. I am trying to spend as much time as possible with friends and family, and travel to places I never been before. Life is short and I don’t want to miss out on anything important to me.

I am not planning on writing my memoirs but I’m always happy to do interviews like this one. I also write about politics, social issues and culture for the Advocate and Out. You can read my articles and learn more about my documentaries at the newly-redesigned MichaelLucas.com.


SHIFTING SANDS: THE PHAROAH'S GAY MANICURISTS

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Manicurists and Royal confidantes Niankhkhnum and Khnumhotep


If I weren’t a journalist, I’d be an archaeologist. Both jobs are about bringing to life the stories of other human beings separated only by time, culture and geography.

One of my favourite stories from Ancient Egypt lies in the sandblasted necropolis of Saqqara, beneath the crumbling pyramid of King Unas, the ninth and last pharoah of the Fifth Dynasty, who ruled Egypt from roughly 2375 to 2345 BC.

I only learned after visiting his tomb many years ago that beneath the causeway to the pyramid lies the Old Kingdom tomb of Niankhkhnum and Khnumhotep whose bas reliefs depict what is (to date) the world’s first recorded adult homo love story. And in a fabulously queer twist, Niankhkhnum and Khnumhotep were – wait for it! – gay manicurists (yes, you read right) in the palace of King Niuserre (2453 to 2422 BC) of the Fifth Dynasty!

So, some years later, I tracked down respected non-academic Egyptologist Greg Reeder, a contributing editor of KMT: A Modern Journal of Ancient Egypt who wrote a chapter on Niankhkhnum and Khnumhotep in the 2008 book Sex and Gender in Ancient Egypt: ‘Don Your Wig for a Joyful Hour’ edited by Carolyn Graves-Brown (Classical Press of Wales 2008). 

“It’s the only tomb I know that has two men posing as husband and wife,” Reeder told me. “That’s what’s key to my research of tombs from the Fourth, Fifth and Sixth dynasties. The Ancient Egyptians frowned on anal penetration, much like the Greeks and Romans; you weren’t a man if you were penetrated. What’s unusual about the Fifth Dynasty when these two manicurists lived was the openness to showing [such] affection in public.”

Egyptologist Greg Reeder – like me – never tires of telling the story of Niankhkhnum and Khnumhotep.

“Most archaeologists are not interested in Niankhkhnum and Khnumhotep,” says Reeder. “I think it will take gay archaeologists to speak up. We must speak up. These are our ancestors. The straight world isn’t going to make a big deal about it because they just aren’t interested in it.”


SHOUT IT OUT LOUD! THE OUT GAY MAN WHO MADE KISS SUPERSTARS

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KISS today: Paul Stanley, Eric Singer, Gene Simmons and Tommy Thayer


Bugs' interview with Roman Fernandez about Bill Aucoin and KISS originally ran in the June 2014 issue of Fugues magazine.
The four original members of KISS – Gene Simmons, Ace Frehley, Paul Stanley and Peter Criss – put aside their personal differences at the 2014 Rock and Roll Hall of Fame induction ceremony at the Barclays Center in Brooklyn, at least long enough to say kind words about one another. 
Bill Aucoin and Roman Fernandez 
on Broadway (Photo courtesy 
Roman Fernandez)
But for KISS fans, as well as Roman Fernandez – longtime life partner of Bill Aucoin, the legendary rock’n’roll manager who discovered KISS – it would have been nice to see the fueding stop before the band hit the stage. In fact, it would have been nice to see the original KISS perform onstage at the ceremony.
Like former Rage Against the Machine guitarist and KISS fan Tom Morello concluded in his induction speech, “Tonight, this isn’t the Rock and Roll Hall of Fame, this is the Rock And Roll All Night And Party Every Day Hall Of Fame!”
For Roman Fernandez, the night was bittersweet: his life partner Bill Aucoin, who died of surgical complications from prostate cancer in 2010 at the age of 66, was not there to see the band he raised, nurtured and turned into global superstars inducted into the rock hall.

“When I first found out KISS was going to be inducted, it was very bittersweet for me,” Fernandez told me. “I was happy, but on the other hand I was upset because it was like a practical joke on Bill, [to induct] a band that was never supposed to get in the hall of fame. Bill and I had talked about that and he was at peace with that. Then three years after he dies, they get inducted. And Bill isn’t here to see it. That still eats away at me. So the induction is a happy occasion but it also rubs salt in the wound. To see [the original KISS members] fueding – those four guys who are lucky enough to have this argument because they are alive. Bill doesn’t have that luxury.”
Still, Fernandez is a loved member of the KISS family, and he attended the April 2014 induction ceremony to “represent.”
“It’s what Bill would have wanted,” Fernandez says.
A former rock musician, Fernandez met Aucoin in the early-mid 1990s. “He wanted to manage my band [but] when I first met Bill I just didn’t like him, period. I was very guarded. I expected someone who was a serious, buttoned-up Wall Street broker. Instead he was very boisterous, loud and very kid-like. He was like McCauley Culkin running and screaming through the house in Home Alone. To have someone like this show up took me aback. So it took some months before we started hanging out. In the end, one of the things that attracted me was Bill was a dreamer.”
Forty years after Bill Aucoin discovered
KISS, the band finally made the cover
of Rolling Stone.
These were also the ingredients Aucoin brought to the mix in his relationship with KISS, whom he discovered in 1973 and managed until 1982 (Aucoin quit citing creative differences).
“It’s no accident that Bill managed KISS,” Fernandez says. “It wasn’t a coincidental match. KISS is a product of Bill’s personality, his flamboyant nature. Certainly there were other people involved, like [producer, road manager and songwriter] Sean Delaney and [Casablanca Records founder] Neil Bogart. But Bill came from a TV background and always loved the stage. KISS was always a reflection of Bill’s personality. It was a Never Never Land of sorts.”
What has always intrigued me, however, is how Bill Aucoin was accepted as an out gay man in the macho 1970s music industry.
Shortly after Styx co-founder Chuck Panozzo announced in 2001 that he is gay and living with HIV, he told me that during the heady 1970s he never even whispered the truth, not even to his band mates.
Years later, I asked Judas Priest frontman Rob Halford what it was like to rise to showbiz fame in the closet, and he replied wistfully, “I saw Freddie [Mercury], it must have been in the early 1980s, and I was going to Mykonos with friends from London via Athens.We got to the hotel [in Athens] and did what we all did then – the clubs, the parties. At one club Freddie was holding court at the other end of the bar. We were two ships passing in the night. He waved, I waved. The place was packed and we never got the chance to connect. The next day we all went to Mykonos and I was on a beach when his yacht sailed by.”
So was the rock’n’roll closet also an issue for Bill Aucoin?
Roman Fernandez and Bill Aucoin in Cairo
(Photo courtesy Roman Fernandez)
“I don’t really know how to answer that question because we didn’t talk a whole lot about that,” Fernandez says. “But I can tell you this: Obviously Bill and Sean [Delaney] were together for many years, from the early 70s to the early 80s, and I am pretty certain that everybody knew they were a couple, and as far as I know they never went out of their way to hide it. But then who cares about the manager? The press wants to know about KISS.”
Of course, rumours that Stanley is bisexual continue to circulate, and the 2012 Peter Criss memoir Makeup to Breakup: My Life In and Out of Kiss all but confirms that Frehley gave Criss oral sex during a threesome with infamous groupie “Sweet Connie from Little Rock.”
In the end, those rumours are neither here nor there. What is undeniable, however, is the glorious over-the-top camp factor of KISS, especially as their costumes got bigger and wilder in the late 1970s.
“Looking back in retrospect, I know exactly what you’re talking about,” Fernandez says. “And I don’t know where that came from. I don’t know if they were just trying to be more glam during the disco era. I think it’s probably just the times.”
KISS publicity photo, circa 1979
Today, Fernandez is a rock’n’roll manager himself (his bands include Spider Rockets and the Super Fuzz). When I ask him what he would advise a gay rock star to do – come out or stay closeted – Fernandez replies, “Do whatever you want, do whatever makes you comfortable. Today it’s such a lame subject, every time you open a door, somebody else is coming out of the closet. It’s not the 70s. I mean, Elton John, I think pretty much everybody knew he was gay. I think of Freddie Mercury, or Pete Townshend when he released Rough Boys, and they never really suffered a backlash because of it. So it’s a little bit of a conundrum: people stay closeted to protect a rock’n’roll identity, but it’s been proven time and time again that people who are out never really suffer because of it. To some degree, it actually helps them. Adam Lambert is another great example.”
Fernandez reconnected with his KISS family for the rock hall induction ceremony in New York, and while he won’t confirm whether or not a Bill Aucoin rock’n’roll biopic is in the works (“The most I can say is hopefully we’ll see something at some point”), there is no doubt Aucoin’s life would make one helluva film: As far as I am concerned, Aucoin is one of the great pioneering rock managers of all time, up there with Albert Grossman and Peter Grant.
As for KISS, the last word goes to Peter Criss, who told the audience at the rock hall induction ceremony, “I definitely want to thank our first manager, Bill Aucoin. We would not be here if it wasn’t for Bill.”
Roman Fernandez smiles. He is pleased. “At the end of the day, I’m a music fan,” he says. “I think rock’n’roll stills matters.”

JUDAS PRIEST FRONTMAN ROB HALFORD: "I'VE BECOME THE STATELY HOMO OF HEAVY METAL"

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Judas Priest frontman Rob Halford came out in a 1998 MTV interview.
Today he says, "
I've become the stately homo of heavy metal."
Bugs' interview with Rob Halford originally ran in Daily Xtra on Nov. 20, 2011

Judas Priest has been hailed as the godfathers of heavy metal. MTV names the band on its list of greatest metal acts of all time, second only to Black Sabbath and just ahead of Metallica. Both Black Sabbath and Metallica are inductees to the Rock and Roll Hall of Fame, but Judas Priest, for reasons known only to the gods of rock, has so far been left out in the cold. 
Metal God Rob Halford of Judas Priest

I told lead vocalist Rob Halford I think the snub has everything to do with his being openly gay.

“I don’t know, let’s have a think; who in there is gay?” Halford says rhetorically. “It’s a good question. I consider myself a lower-case gay, not screaming like my good friend [porn director and drag queen] Chi Chi LaRue. I love all my friends in the community, and if the moment came [for induction into the Hall of Fame], it would be a tremendous moment, not just for the band and our fans, but for the whole LGBT community.”

Halford rose to showbiz fame in the 1970s at the height of the homophobic disco sucks movement. Coming out publicly then would likely have meant career suicide. But Priest’s landmark 1980 album British Steel had more to do with popularizing metal than any other band, including, arguably, Black Sabbath. Priest’s twin lead guitars, pile-driver drums, outlaw lyrics and Halford’s vocals were templates for every band from Iron Maiden to Guns N’ Roses. Judas Priest also codified the metal dress code: long hair, tight pants and leather galore.


As for inventing metal’s leatherman look, Halford says, “It all came from my own imagination because I was never into the gay leather scene.”

He did, however, cross paths briefly "in the early 1980s" with Queen lead singer Freddie Mercury, who died from AIDS in 1991.

“I was going to Mykonos with friends from London via Athens,” Halford recalls. “We did what we all did then: the clubs, the parties. At one club Freddie was holding court at the other end of the bar. We were two ships passing in the night. He waved, I waved. The place was packed, and we never got a chance to connect.”

Halford says the hard rock/metal scene of 1980s Hollywood was an absolutely insane party, fueled by drugs and booze.

“In my heyday I always started with a bottle of Dom Pérignon, then a case of Budweiser, then two Jacks,” he says. “I was a serious drinker. Then the lines of coke got you up again. Then the next day there was all the denial. I don’t miss that old routine.”

Halford quit drinking and drugging in 1986. He not only wanted to live, he wanted to protect his four-octave vocal range.

When I ask him if handsome studs still throw themselves at his feet after all these years, he replies with typical self-deprecation: “It was a drought then and it’s a drought now. ”

After all these years, Halford – who now lives in a modest home in Phoenix, Arizona – hasn’t forgotten his blue-collar roots.

“Coming from Birmingham, like Sabbath, we came from nothing and made something of ourselves,” says Halford, who has subbed for Black Sabbath frontman Ozzy Osbourne at several concerts over the years.

With Judas Priest on its farewell tour, does that mean the end of metal?

“Heavy metal is always going to be there,” Halford says. “At its core, it’s all about a primitive connection we all need to keep in our lives.”



2015 HEROES AND ZEROS OF THE YEAR

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Once again Sir Elton John put his money where is mouth is

My column on the past year’s heroes and zeros originally ran in the January 2016 issue of Fugues magazine.


Here is my 20th annual column of the past year’s heroes and zeros.

Hero Legendary Dykes to Watch Out For cartoonist Alison Bechdel’s autobiographical graphic novel Fun Home won five Tony Awards, including Best Musical.

Alison Bechdel
Zero Bill Cosby, who, after meeting chart-topping At Seventeen lesbian singer/songwriter Janis Ian, had had her banned from TV in the 1960s because, Ian says, she wasn’t “suitable family entertainment.”

Zero Italian fashion designer Giorgio Armani, who told The Sunday Times magazine on April 19, “A homosexual man is a man 100%. He does not need to dress homosexual. When homosexuality is exhibited to the extreme—to say, ‘Ah, you know I’m homosexual’—that has nothing to do with me. A man has to be a man.”

Zero Italian fashion designer Dolce and Gabbana, for criticizing same-sex families and calling children born through IVF “synthetic.”

Hero Elton John, for launching a boycott of Dolce and Gabbana. Then, in September, after Russian TV pranksters fooled Elton – the first western rock star to perform in the-then Soviet Union, in 1979 – into thinking he was talking to Vladimir Putin, the real Putin called Elton to apologize and invited him to meet and discuss LGBT civil rights. Meanwhile, the Elton John AIDS Foundation granted $75,000 to fund a University of Toronto study into how Canada’s refugee policies affect asylum seekers living with or at risk of acquiring HIV. Thank you, Elton.

Hero Argentina, for lifting the ban on gay men donating blood.
 
Candis Cayne
Hero 90-year-old Evelyn Farha, honorary president of The Farha Foundation which, since 1992, hasdistributed $9.5 million to 76 Quebec organizations providing services to HIV/AIDS victims (housing, medication, food, palliative care and homecare) as well as HIV/AIDS prevention and education programs.

Zero The Democratic Unionist Party, for blocking the Northern Ireland Assembly’s vote to approve same-sex marriage.

Heroes For legalizing same-sex marriage in 2015: the Republic of Ireland (though I don’t like civil-rights issues being decided via referendum) and Mexico. Chile approved same-sex civil unions and Mozambique decriminalized gay and lesbian relationships.

HeroB-52’s singer Kate Pierson wed her longtime girlfriend Monica Coleman in Hawaii.

Zero The Edmonton Reggae Festival, for not taking a public stand against homophobia after booking anti-gay performers Queen Ifrica and Capleton. In the end, the Canadian High Commission in Jamaica denied Capleton permission to enter Canada.

Hero Activist Maurice Tomlinson, for fighting for LGBT civil rights in the Caribbean.

ZeroConservative Senator Donald Plett, who gutted transgender rights Bill C-279 with a transphobic amendment that barred trans people from public washrooms. In the end, the bill failed to pass.

Zero Former Houston Astros baseball star Lance Berkman who opposed a Houston ordinance protecting LGBT people. Berkman said allowing trans women into women’s restrooms “is a little strange to me (because) they could be a child predator.”

Zeros Transphobic thugs worldwide, for attacking trans people, such as trans man Yoshi Tsuchida found dead with his face skinned off in Tokyo in November, and trans Filipina woman Jennifer Laude who was murdered in October 2014 (convicted U.S. Marine Joseph Scott Pemberton was sentenced to six to 12 years in prison on Dec. 1, 2015).
Rad Hourani


Heroes Nova Scotia, which now allows transgender people in the province to identify their preferred gender on their birth certificates; and Quebec, which made it easier for trans people to change their gender designation on provincial IDs by removing surgical and medical requirements.

HeroesLehigh University in Pennsylvania and Ryerson University in Ontario, for introducing “gender-neutral” and “gender-inclusive” washrooms on campus.

HeroTrans actress Candis Cayne, a Grand Marshal at Montreal Pride 2015. “There is definitely a trans ceiling (in show business), but boundaries are being broken right now,” Cayne told me. “My form of activism is going to auditions, teaching producers and others on the set, going on news programs and talk shows and talking about being a trans woman. I may not have been marching on the White House, but I was doing my part.”

Heroes Young Brits and Americans, who do not see their sexuality fixed in stone: in 2015 surveys, one in two young Brits say they are not 100% straight, while one third of young American say they aren’t 100% straight.

Hero Montreal-raised couturier Rad Hourani, who launched his new multi-disciplinary exhibition of 33 original artworks, Neutrality (Neutralité), which expands on his vision of a neutral world without boundaries or limits, at the Arsenal Montréal contemporary art venue. “It makes no sense to be tagged as straight, gay or lesbian,” Rad told me. “I think it is limiting to categorize somebody as straight, gay or lesbian, to categorize them as one. What I love is when someone tells me, ‘Richard has a girlfriend,’ then a few months later, ‘Richard has a boyfriend.’ I like when there are no boundaries. I am a man who is attracted to men, but I don’t need a label.”

Heroes On Aug. 24 openly-gay refugees Subhi Nahas from Syria and “Adnan” from Iraq briefed the U.N Security Council on violence by ISIS targeting LGBT people.

Zeros U.S. authorities for busting Rentboy.com on Aug. 25.

ZeroKentucky county clerk Kim Davis, who withheld same-sex marriage licenses “under God’s authority.”

Zero Madonna’s gay brother Christopher Ciccone, who defended Kim Davis: “The gay community feels the need to be sore winners. The rights we have all fought for mean nothing if we deny her hers.” This is one man I don’t want to see on his knees.

Hero The YMCA’s Sprott House, Canada’s first transitional housing dedicated to LGBT youth, opened in Toronto.
Mika

Hero British pop star Mika, who performed three sold-out nights with the OSM at the Maison Symphonique de Montréal in 2015.Sexuality and identity have been the ingredients of my music and lyrics since the beginning,” Mika told me. “It was always there. It’s just that my figuring out was done in a different way and under a lot of pressure.”

Zero The New York Mets baseball club, shamed into cancelling their kiss cam that showed two men kissing as a joke.

Hero The Oakland Athletics baseball club, who on June 17 honoured Glenn Burke, pro baseball’s first openly-gay player. Burke died at the age of 42 in 1995 of complications from AIDS.

Zero The homophobic thug who attacked Mathieu Grégoire, 21, with a beer bottle at the Festival Western de St-Tite. Grégoire later organized the awareness-raising Zumbathon contre l’homophobie party in Trois-Riveres on Oct. 30.

Zero The Toronto Transit Commission, for pulling ads for Squirt.org, claiming the ads promote sex in public places.

Zeros LGBT activists, who trashed director Roland Emmerich’s film Stonewall before even seeing it. After the film opened, the reviews were worse than the film’s weekend box office gross.

Heroes New York City’s landmarks commission, for designating the Stonewall Inn a historic landmark in a unanimous vote on June 23. The Stonewall was originally designated a U.S. National Historic Landmark in 2000.

Hero Mark Segal, the dean of American gay journalism, who published his acclaimed memoir And Then I Danced: Travelling the Road to LGBT Equality.

Heroes Pink Triangle Press, who shuttered the print editions of Xtra in Toronto, Ottawa and Vancouver, which continue to publish online at DailyXtra.com. Meanwhile, in July, France’s best-known gay magazine, Têtu, folded after 20 years. (Editorial note: Têtu was recently purchased and relaunched as a digital publication.)
DC Comics superheros Apollo and Midnighter

Hero DC Comics, for gave gay superhero Midnighter his own comic series. Midnighter is a 21stcentury superhero: he uses Grindr while saving the world at the same time.

Hero Montreal’s legendary Black & Blue circuit party, which turned 25 years old.

Hero Suzanne Girard, who co-founded the Divers/Cité queer festival in 1993 with Puelo Deir. Divers/Cité put Montreal on the international LGBT map but, sadly, officially folded in February 2015 after 22 years.

Heroes The six openly-queer LGBT politicians elected to Canada’s parliament on Oct. 19: Liberal MPs Scott Brison, Rob Oliphant, Randy Boissonnault and Seamus O’Regan (former Canada AM co-host), as well as NDP MPs Randall Garrison and Sheri Benson.

Zero Accused British serial killer Stephen Port, charged with poisoning four young men between June 2014 and September 2015.

Zero Oregon’s West Salem High School, for suspending freshman quarterback Garrett Moore for “inappropriately” touching another player during football practice, when in fact Moore was executing a snap as instructed by the center.

Hero Michael Sam, despite leaving the Montreal Alouettes not once, but twice. Upon his first arrival in Montreal, Sam told me, “I’m not trying to do anything historical, except help Montreal win some games. I have a responsibility to show respect for the game and handle myself the right way, carry myself the right way, so that future athletes gay or straight can be inspired by what I’m doing.”
Michael Sam

ZeroMartin Shkreli, whose company Turing Pharmaceuticals raised the price of the generic drug Daraprim used by AIDS patients, from $13.50 a pill to $750.

Hero The CDC, for recommending sexually-active gay men at very high risk for HIV infection (which the CDC estimates at one-in-four gay men) should take PrEP.

Zero Gay hotelier Ian Reisner, who nastily called gay people “cheap” and “entitled” when he defended his dinner with anti-gay 2016 GOP presidential candidate Ted Cruz.

Zeros Le Journal de Montreal, for pruriently pursuing Quebec celebrity Joel Legendre who was caught masturbating in a Longueil park in 2014; and Legendre himself, for lying about it when the incident made headlines in March 2015.

ZerosThe hooligans who attacked the LGBT Pride march in Kiev on June 6; ultra-Orthodox Jew Yishae Schlissel, charged with murder and six counts of attempted murder in the July 30 stabbing attack at the Jerusalem Gay Pride Parade; and Turkish police, who used a water cannon to disperse Istanbul’s Pride parade on June 28.

HeroesThe hundreds of brave participants at the Delhi Queer Pride Parade in New Delhi on Nov. 29; at the 2nd annual Pride parade in Nicosia, Cyprus on June 6; at the inaugural Six Nations Pride event at Veteran’s Park in Six Nations of the Grand River Territory – Canada’s first on-reserve aboriginal Pride event – on July 25; at Jamaica’s first-ever LGBT Pride celebrations in Kingston and Montego Bay; and at the inaugural Pride parade in the tiny, isolated Arctic town of Norman Wells, in the Northwest Territories.

ZerosThe UK’s National Union of Students for banning cross-dressing and drag, and passing a motion demanding white gay men stop “appropriating” black female culture (delegates actually used jazz hands instead of applause); as well as the organizers of Free Pride Glasgow – the “anti-commercialist” alternative to the main Glasgow Pride festival – for banning “offensive” drag queens.

ZeroMary Cheney, who questioned in a Facebook post why drag is “socially acceptable.”
Panti Bliss

HeroIrish drag icon Panti Bliss, who lectured at Concordia University in February 2015. Panti told me, “First of all, there’s a billion kinds of drag queens in the world with different motivations, and some of them might be horribly misogynist, so I can only speak for myself. When I’ve done drag, I’ve always rejected terms like ‘female impersonator’ because that’s not what I’m doing. As for drag queens being bitchy, they’re just being themselves! If I am parodying anything at all, it is the tools our society expects women to use to express their femininity. What I’m really doing is taking those tools — makeup, big hair and sequins — that our society decided women have to use and that men are not allowed to use.”

HeroToronto drag icon Michelle DuBarry, 84, crowned World’s Oldest Working Drag Queen by Guinness World Records.

HeroesMontreal’s Tableau D’Hote Theatre company for their revival of Michel Tremblay’s landmark 1973 play Hosanna about a drag queen and her biker boyfriend. The play won four Montreal English Theatre Awards in 2015, for lead actor (Eloi ArchamBaudoin), supporting actor (Davide Chiazzese), best director (Mike Payette) and Best Independent Production.

ZeroFacebook, who reneged on their promise to dismantle their “Real Names” policy.

HeroSweden, which added the gender-neutral pronoun “hen” to the dictionary. The pronoun can be used without revealing gender.

Hero Polish Catholic priest Krzystof Charamsa, who publicly came out on Oct. 3 and slammed the Vatican’s “inhuman” treatment of homosexual Catholics.  He was immediately fired from his senior post in the Holy See.

Hero Out Montreal author H Nigel Thomas, whose book No Safeguards was shortlisted for the Quebec Writers’ Federation’s 2015 Hugh MacLennan Prize for Fiction.

Zero Utah justice Scott Johansen, who ruled on Nov. 10 that a baby girl be taken from her lesbian foster parents April Hoagland and Beckie Peirce and placed with a heterosexual couple.

Heroes The thousands of Mormons who quit their church in Salt Lake City on Nov. 15 following the church’s new policy calling those in same-sex relationships “apostates” and denies their children baptisms.

Hero Out TD Asset Management CEO Timothy Thompson, who for five years will donate an annual scholarship of $20,000 to a student at  McGill University’s Desautels Faculty of Management who demonstrates leadership within the LGBT community. The first recipient will be named in September 2016.
Caitlyn Jenner

Heroes For coming out in 2015: trans icon Caitlyn Jenner, 82-year-old acting legend Joel Grey, Swiss football star Ramona Bachmann, former Major League Soccer player Matt Hatzke, NBC Nightly News anchorman Thomas Roberts, Quebec journalist Francois Cormier, pop  superstar Miley Cyrus, ESPN columnist Israel Gutierrez, pro baseball players Sean Conroy and David Denson (both in the minor leagues), MLB umpire Dale Scott (home plate umpire for the crazy 53-minute 7thinning of Game 5 between the Toronto Blue Jays and Texas Rangers during the 2015 American League Play-offs), former boxer Yusaf Mack, Olympian and freestyle skier Gus Kenworthy, and actor Jussie Smollet, who plays the gay son Jamal Lyon on the Fox TV series Empire.

Heroes Trans icon and Warhol Factory superstar Holly Woodlawn, legendary female impersonator Jim Baily, iconic It’s My Party singer Leslie Gore, global Canadian television personality Chris Hyndman, Montrealer and 2009 Mr. International Rubber Stéphane Donaldson, Playgirl’s 1992 Man of the Year Dirk Shafer, vintage adult film star Cole Tucker (from an AIDS-related illness at age 61), and several younger porn stars – Mateo Stanford (age 35), Blue Blake (52), Zac Stevens (25) and Dimitri Kane (20) – all passed away in 2015. RIP.


ALL THE PRESIDENT'S MEN: GERALD FORD AND THE GAY MAN WHO SAVED HIS LIFE

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President Ford winces at the sound of the gun fired by Sarah Jane Moore during the assassination attempt in San Francisco, California, on Sept. 22, 1975. White House Photograph Courtesy Gerald R. Ford Library. Photographer: David Hume Kennerly.

From the TDB archives: This instalment of Three Dollar Bill originally ran in HOUR magazine on January 11, 2007.

I once wrote in this column that if I spotted an assassin aiming his gun at the current president of the United States, George W. Bush – whose administration is hands-down the most homophobic in the history of that great nation – I would coldly turn around and walk away.

I was reminded of that last week as America mourned the passing of former president Gerald Ford, who died on Dec. 26, 2006, but whose life, on Sept. 22, 1975, was saved by a gay man whose own life was destroyed in the process.

On that September day thousands of people stood cheering the President outside the Sir Francis Drake Hotel in San Francisco when a middle-aged FBI informant named Sara Jane Moore pulled out her chrome-plated .38 revolver and aimed at Ford.

Oliver "Billy" Sipple, a 33-year-old retired marine who’d been wounded twice in Vietnam, lunged for Moore. A shot rang out but the bullet missed Ford – who stood just 35 feet away – and Sipple wrestled Moore to the ground and became a national hero.

The next day, the first openly gay politician in America, San Francisco city supervisor Harvey Milk – who, along with San Francisco mayor George Moscone, would be assassinated in 1978 – told a reporter that Sipple not only worked on his political campaign, but was also gay.

Several publications, notably the San Francisco Chronicle, ran the story and Sipple was dubbed America’s "Homosexual Hero."
Oliver Sipple in Life magazine

Sipple told reporters, "My sexual orientation has nothing at all to do with saving the President’s life, just as the colour of my eyes or my race has nothing to do with what happened in front of the St. Francis Hotel."

Still, he was disowned by his conservative Baptist family. Sipple filed a $15-million (U.S.) invasion-of-privacy lawsuit against several newspapers (which was dismissed in 1980), was only told of his mother’s death after her funeral, slipped into alcoholism and died a penniless, broken man of an apparent heart attack in January 1989.

Police said Sipple sat dead in his apartment for two weeks. He was 47.
Hanging on a nearby wall was Sipple’s most prized possession, a framed letter from President Ford, dated Sept. 27, 1975. It read, "I want you to know how much I appreciated your selfless actions last Monday. The events were a shock to us all, but you acted quickly and without fear for your own safety. By doing so, you helped to avert danger to me and to others in the crowd. You have my heartfelt appreciation."

Ford did not find out until much later that Sipple was gay, and in 2001 joined the Republican Unity Coalition which advocates for gay and lesbian civil rights. He was the first and remains the only American president to have ever joined a gay civil-rights organization.

Two years later I twice unsuccessfully tried to get an interview with Ford via the Gerald Ford Foundation in his hometown of Grand Rapids, Michigan. But gay columnist Deb Price of The Detroit News, a long-time friend of this column, managed to score a phoner with Ford in October 2001.
When she asked him whether the feds should outlaw anti-gay job discrimination and treat gay couples the same as married heterosexuals, Ford replied, "I think they ought to be treated equally. Period."
Sipple's headstone at Golden
Gate National Cemetery

But in America in 2007, there is no federal workplace discrimination protection based on sexual orientation. In other words, you can still be fired just for being gay.

As Philly-based Equality Forum executive director Malcolm Lazin told me last week, "It would be a wonderful tribute for his fellow Republicans joined by the Democratic majority to introduce, pass and send to President Bush the Gerald Ford Workplace Nondiscrimination Protection Act ensuring workplace equality for gay, lesbian, bisexual and transgender Americans."

Personally, I’d call it the Oliver Sipple Workplace Nondiscrimination Protection Act.

As Ford himself told Deb Price, "I have always believed in an inclusive policy, in welcoming gays and others into the [Republican] party. I think the party has to have an umbrella philosophy if it expects to win elections."

Of course, George W. Bush did exactly the opposite, winning the presidency not once but twice by scaring America with his rabidly anti-gay agenda.

So it bears repeating: Since his first prayer his first day in the Oval Office, Bush and his administration have been the most homophobic in the history of America. The Bush administration has hurt and broken the lives of countless gay people – gay people who have loyally served their country, brave folks like Oliver Sipple who even gave his life for a president.

But I tell you, had it been George Dubya instead of Gerald Ford walking out of the St-Francis Drake Hotel in San Francisco, and had it been me instead of Oliver Sipple standing next to Sara Jane Moore, I would have turned around and walked away.

TRANS COMEDIAN TRANNA WINTOUR: "LIVE OUT LOUD AND AUTHENTICALLY."

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Stand-up comedian Tranna Wintour (Photo by Reese Turner)

Bugs' original interview with Tranna Wintour ran in the Zwivel news blog on February 18, 2016.

“My favorite moment during a show is always the big breakthrough,” says transgender stand-up comic Tranna Wintour. Described by legendary comedian Sandra Bernhard as “a candle in the window on a cold, dark winter’s night”, Wintour is a sensation in her hometown of Montreal.

Her audiences are mostly made up of “cisgender” people – cisgender being a word to describe those who are not transgender. “If at the beginning of my set they might be a little reluctant to laugh out loud or don’t know how to react, there often is a turning point when they allow themselves to be entertained by me, and it’s a really great feeling.”

Tranna has never shied away from speaking her mind. Read more about Tranna's rise in the world of comedy, plus her thoughts on plastic surgery, glamour and Caitlyn Jenner on the Zwivel news blog.

Whether she is headlining in a comedy club or counseling readers in her advice column, Tranna's message is always one of love and hope. "Live out loud and not be ashamed," says Tranna. "Live authentically and be honest with yourself."

Read more here.

twitter.com/bugsburnett



IN THE COCKPIT WITH NASCAR POSTERBOY CARL EDWARDS AT DAYTONA

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Carl Edwards on the cover of ESPN The Magazine

Montreal stock-car racing legend Dick Foley was not just the first Canadian to race in the Daytona 500, back in 1959, but Foley also inadvertently caused the biggest pile-up in NASCAR history at Daytona Speedway the following year.

After losing, then regaining, control of his Chevy Impala – the words "Montreal, Canada" painted on his fenders – Foley spun out into the infield. Thirty-seven cars (in a record 73-car field) behind Foley weren’t so lucky, crashing in a spectacular demolition derby.

“It was some show, I’ll tell you that,” Mr. Foley told me when he was inducted into the Canadian Motorsport Hall of Fame at a gala in Toronto in April 2012. “There were 37 cars in that accident! Fortunately no one was seriously injured. It was a miracle.”

Scroll down to watch the spectacular video of that crash.

To this day, Mr. Foley returns to Daytona each and every February with his blonde bombshell wife and former ballet dancer Evita Perron, where they catch up with old friends and NASCAR royalty.

Stock-car racing’s storied bootlegging past, car crashes and stunts – one driver was even offered $1,000 cash to race without a roof in Daytona’s 1959 inaugural race – established NASCAR as a macho club of good ole boys, thrill-seekers and speed demons.

Over the decades, everybody knows there have been gay drivers in NASCAR – though just three have ever publicly come out of the closet, Massachusetts-born Evan Darling, who was the first out of the blocks, as well as Stephen Rhodes who raced in the NASCAR Camping World Truck Series in 2003, and Justin Mullikin in the NASCAR Grand National Sportsmen division.

“I don’t have a big gay flag on my racing suit,” Darling told the Florida Agenda newspaper. “My partner always came to the races with me. And [other drivers] never had an issue with that.”

Race car driver Evan Darling
Continues Darling, "However, since I’ve turned pro some of the teams have talked about me behind my back. They’re just pussies, they don’t want to talk to your face. If you ask them if there’s a problem, they say ‘No,’ they’re okay with it, but then you hear the stories of what they say behind your back. That’s just how it is and I don’t care. I’m happy and comfortable with myself and I think we should all be that way."

I’m not surprised Darling was treated this way considering the God-awful homophobic reaction to the news that racer Tim Richmond – one of the first drivers to switch from open-wheel racing to stock-car racing – died of AIDS back in August 1989, at the height of the AIDS hysteria. Richmond was just 34.

Many NASCAR fans now admit they are ashamed of how they acted back then, and the sport has taken some positive steps towards embracing their LGBT fans.

No NASCAR driver has done more to embrace his LGBT fanbase than Carl Edwards.

In fact, since his eye-popping beefcake pose on the February 2006 cover of ESPN The Magazine, Edwards has become, like soccer superstar and underwear model David Beckham, the metrosexual posterboy for his sport. When Edwards appeared on The Late Late Show with then-host Craig Ferguson, Ferguson not only joked that Edwards’ nipples seemed far apart, but suggested that was because of the incredible speeds at which Edwards drives.
Montreal stock-car racing legend Dick Foley
pictured here with his stock car in 1959
 (Photo courtesy Eva and Richard "Dick" Foley)

And, man, Edwards loves to drive. I got to meet him in Montreal a few years ago at the now-defunct NASCAR Nationwide Series NAPA Auto Parts 200 at Circuit Gilles-Villeneuve. (I also met Paul Newman at the same track at a Champ Car World Series race, but that’s another story.)

Edwards told me his first-ever car was actually a Ford Ranger pick-up truck. When I asked him which he loved most, his Ranger or his first girlfriend, Carl laughed. "That’s tough, buddy! Truth is, if one had to go, I’d keep the Ranger!"

Today, since the ESPN magazine cover and the Late Late Show spot, Edwards has become a key player in the sophisticated urbanization of NASCAR. I told Carl, "The girls love you, the straight guys love you too, and the gay NASCAR fans – and there are many in Montreal – we love you too!"

I then explained to Edwards my informal survey of seven gay friends to crown the hottest guy on the planet at the time: John Legend, Brad Pitt, Chris Martin of Coldplay, Barack Obama or Carl Edwards?

Edwards, who works out five times a week, laughed out loud. "That’s cool!"

I continued: "And I emailed them photos of each candidate, including your ESPN magazine cover –and the decision was unanimous: Carl Edwards is the hottest!"

Edwards was clearly delighted. "Yeah!"

So I asked him how he feels about being NASCAR’s über-hot metrosexual posterboy?

"Well, the great thing about our sport is the diversity of our fans!" Edwards replied. "I literally have men and women coming up to me all the time, 85-year-old women and four year-old kids, and it really is an honour. I love all my fans – all of them!"

Then, without missing a beat, Carl added, "And tell all your friends I really appreciate it!"

Carl Edwards will start in 10th position at the 58th annual Daytona 500 on Feb. 21 to launch the 2016 NASCAR season. Guess who I will be rooting for … Also of note, female driver Danica Patrick will start the race in 16th position.

Drivers, start your engines!




QUEBEC PLAYWRIGHT AND ICON MICHEL MARC BOUCHARD 100% UNCENSORED

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Quebec playwright and icon Michel Marc Bouchard

This is an expanded version of Bugs' interview with Michel Marc Bouchard that originally ran in Daily Xtra on May 17, 2016.

Quebec playwright and icon Michel Marc Bouchard casts queer life versus religion, and condemns religion while celebrating queer sexuality in his landmark 1987 play Les Feluettes ou la répétition d’un drame romantique.

Considered one of the major works of modern Canadian theatre, the English-language adaption, Lilies, won the Dora Mavor Moore Award and the Chalmers Award for best play in 1991. Even the film version by John Greyson won the Genie Award for best motion picture in 1996.

And now, Les Feluettes will be coming to a different stage — as an opera.
Les Feluettes stars Etienne 
Dupuis and Jean-Michel Richer

The play’s hotly-anticipated opera version makes its historic world premiere at the Opéra de Montréal in May 2016. Les Feluettes also garners the distinction of being the first ever French-language opera about a (tragic) gay love story.
 

After Australian composer Kevin March saw Greyson’s adaptation in 2003, he was inspired to create an opera version. It would be another decade before the Opéra de Montréal commissioned March and Bouchard to create Les Feluettes. The opera stars baritone Etienne Dupuis and tenor Jean-Michel Richer as the two lovers.

Even though Les Feluettes features the character Bilodeau, a repressed young gay man who joins the seminary only to become a closeted Catholic Bishop, Bouchard is adamant that his work is mainly about two men falling in love. “I don’t have a political agenda,” he says. “It was never my goal to pit church and religion against gay life. My dream was to a write a love story. Les Feluettes is like Romeo and Juliet. It is about a man who tells another man, ‘I love you.’”

Les Feluettes stars Etienne Dupuis
and Jean-Michel Richer
(Photo by Yves Renaud)
Bouchard’s work, however, usually does involve the intersection of young queers and religion — two identities that he grew up with in Quebec. “Coming out didn’t exist for me the way it does today,” he says. “When I was 20 years old, I drove from Ottawa to Lac-Saint-Jean and told my parents I was gay because I wanted to be an author. As gay people we learn to live a lie, and I believed a writer had to be honest.” And that honesty benefits a younger generation as well. “Growing up queer is always difficult, which is why I want [young LGBT people] to see themselves in my plays,” he says.

 Etienne Dupuis and Jean-Michel
Richer rehearse Les Feluettes
(Photo by Richard Burnett)

While young queers figure prominently in plays by Bouchard, such as in his Shaw Festival-commissioned The Divine: A Play for Sarah Bernhardt, Bouchard has also made his mark on young artists like filmmaker Xavier Dolan, whose 2013 film Tom at the Farm is based on Bouchard’s play Tom à la ferme. Says Bouchard, “One night Xavier saw my play. He was smoking outside with some actors after the performance and told me, ‘Let’s make a movie!’ Xavier is an extremely gifted artist. There is Xavier the spectacle, and there is Xavier the passionate hard worker, and that is the Xavier I know. I am pleased my work resonates with a younger generation.”

Bouchard was less pleased with his experience scripting the film The Girl King, adapted from his own play about Christina, the lesbian queen who ruled Sweden in the mid-17th century. “It was a long journey,” he says diplomatically.

As for making John Greyson’s film Lilies, Bouchard says he was “fascinated” by the whole experience. “I was happy we made the film, and that we – French and English – did it together.”

Bouchard, for his part, hopes Les Feluettes is the beginning of a new wave of queer-themed operas.

Bugs meets LGBTQ hero
Michel Marc Bouchard
“Rufus Wainwright is writing Hadrian, then after that it will be us with La Reine-Garçon,” says Bouchard about two new high-profile operas commissioned by the Canadian Opera Company, scheduled for the 2018-2019 and 2019-2020 seasons respectively.

As for Les Feluettes, Bouchard remains optimistic. “Some days I am scared: Montreal’s opera house seats 3,000 people and opera lovers come to the opera armed with knives in their teeth! But I think the world of opera is ready for our stories. It is historic to see a French opera with a large orchestra where two men fall in love and sing to each other onstage. It has never been done before. We shall soon see if we help raise the glass ceiling.”


BIG BARDA! SHOWBIZ LEGEND LAINIE KAZAN 100% UNCENSORED

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Showbiz legend Lainie Kazan

Bugs' interview with Lainie Kazan originally ran in Three Dollar Bill on October 22, 2009.

Broadway legend Lainie Kazan is a brassy broad but she says she really ain’t. Then Lainie, who chews up the scenery in the new Hollywood comedy Oy Vey! My Son Is Gay!, tells me, "At first I thought people would be offended by the title of the movie, so I wanted the director to change it to ‘Oh Fuck! My Son’s a Shmuck!’"
Kazan inspired Jack Kirby's
comic book superheroine
Big Barda

Ladies and gentlemen, Lainie Kazan.

Most young people know Kazan as the in-your-face mom in the classic comedy My Favourite Year with Peter O’Toole, or the mom in My Big Fat Greek Wedding, or Bette Midler’s mom in Beaches, and now the mom of a Jewish gay son in Oy Vey! My Son Is Gay!

But Broadway audiences first fell head over heels for Lainie back in 1964 when she was the understudy for Barbra Streisand in Funny Girl at NYC’s Winter Garden Theatre. Fifteen months passed before Lainie, then 24, got her first real shot at the big time and she remembers it like it happened yesterday.

"I knew Streisand had strep throat and so the next morning I got the call," says Kazan, who called every friend and showbiz connection she knew. "So I went to rehearsal, got dressed for the performance, and I was in the wings ready to go on when Barbra walked into the house and did the show. The headline in one paper was, ‘It ain’t funny, girl.’ I was devastated."

Kazan continues, "When I went to the theatre [the next morning], they told me, ‘You’re going on today but you can’t call anyone.’"

Bottom line, the producers were worried about ticket sales. No Streisand, no sell-out.

"But I asked if I could make one call," Kazan says. "So I called my mom who had a duplicate list [of press and showbiz connections]!" says Lainie. "In the wings that night I knew I was okay. I was young. And I’ll never forget stepping out onto that dark stage with the work light and I looked out at the audience and went up to sing my first song and the people were leaving. But when I started singing, they started coming back."
On the set of Lust in the Dust with co-star Divine

Overnight Kazan literally became the toast of New York.

She appeared in nightclubs coast to coast, guested on The Dean Martin Show 26 times ("We went out – but not drinking") and opened her Lainie’s Room and Lainie’s Room East at the Los Angeles and New York Playboy Clubs.

"The Playboy clubs were a great place to hone my craft and give my musicians steady jobs," says Lainie. "I put their L.A. club in the black in six months. Then I opened the New York club. In Chicago they called me the singing tycoon!"

Ask Kazan to recount any of her hundreds of anecdotes. "One night my bass player and lead singer quit on me, so I went on stage myself!"

She also stripped for a 1970 Playboy spread. "Upset mothers marched on the streets of Las Vegas – Vegas!"

Drag queens loved Lainie because she was such a hoot to impersonate. And Kazan’s favourite drag queen was Ron Alford – a.k.a. Cherie – in Dallas. "He did his show for me once and, oh my God, it was a little too much of me!"
Kazan has taught acting for 
singers at UCLA since 2011

The Tony nominee loves her gay fans right back too: Lainie serves on the board of AIDS Project LA and produced and starred with Bette Midler, Madeline Kahn, Patti LuPone, Elaine Stritch and Andrea Martin in Doin’ What Comes Natur’lly, the Broadway tribute to Ethel Merman and big-ticket benefit for the Gay Men’s Health Crisis.

Her gay fans are also why Kazan agreed to co-star in director Evgeny Afineevsky’s fab feature film Oy Vey! My Son Is Gay! alongside Montreal native Saul Rubinek, Carmen Electra, Bruce Vilanch, Jai Rodriguez (I sat directly in front of him at the film’s world premiere at the Montreal World Film Festival in August!), Tony award-winner John Lloyd Young and Vincent Pastore of The Sopranos.

With that WFF screening, Oy Vey! – basically a Jewish Mambo Italiano – became an instant camp classic.

"I hope the film will help break down barriers in America," Lainie sighs.

"I [also] think I have a huge gay fan base because for so long gay people suppressed their own feelings and identities," Lainie says. "And me being so bold, I’m not afraid to show mine."

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