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ANTI-GAY PASTOR FRED PHELPS DEAD AT 84, SON CALLS HIS DAD'S WORK "EVIL"

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Westboro Baptist Church founder Fred Phelps died on March 19 at the age of 84

Westboro Baptist Church founder Fred Phelps died on March 19 at the age of 84. He died just before midnight in Kansas, suffering from 'health problems' related to his old age and was being cared for in a Shawnee County facility.

Nathan "Nate" Phelps
Three years ago, his son Nathan Phelps - who escaped the family and church 37 years ago, the minute the clock struck midnight on his 18th birthday - told me, "It’s an evil thing when a human being laughs at you during such a tender, painful moment in your life. They say sticks and stones can break your bones, but the reality is words do the most damage. It’s longest-lasting and often cannot be undone. When someone like my father deliberately steps in to injure someone else, that’s a pretty good definition of evil."

London's Daily Mail reports, "Nate Phelps said his father was excommunicated in August 2013 from the church for advocating more kindness toward its members."
 
Read my full Three Dollar Bill interview with Phelps' son, Calgary-based LGBT civil rights activist Nathan Phelps, by clicking here.

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JOAN RIVERS STILL RUFFLING FEATHERS 50 YEARS ON

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Joan Rivers returns to Montreal to headline Just For Laughs Festival (Photos by Charles William Bush)

 Bugs' new interview with Joan Rivers originally ran in Daily Xtra on July 19

Hollywood myth has it that former Tonight Show host Johnny Carson was betrayed by his public heir-apparent, stand-up comic Joan Rivers, when she signed with FOX in 1986 for her own late-night TV talk show.

Can we talk?
Except the little-known truth is it was NBC and Carson who betrayed Rivers: there was an internal NBC memo with a Top 10 list of candidates to replace Carson, and her name was not on the list.

“A friend of mine, [then] NBC vice-president Jame Michaels got the internal memo and sent it to me,” Rivers says today. “And he wrote on it, ‘Darling there is no place for you here.’ That’s why I walked away. And Carson never spoke to me again.”

But don’t fret for Joan: “I say what I think and I move on and I don’t hold grudges,” she says. “That’s why I don’t have an ulcer.”

In fact, the octogenarian comedian (she turned 80 on June 8) is in great health, and will host the July 27 Gala at Montreal’s Just For Laughs comedy festival.

Though Rivers is still kicking, many of the gay men in her life have died of AIDS. And while Elizabeth Taylor is widely hailed as the first Hollywood star to host an AIDS benefit, it was really Rivers who hosted the first-ever Hollywood AIDS benefit — except no Hollywood star at the time would be caught dead at the Rivers fundraiser.

“I was not only the first, but AIDS was still called gay pneumonia it was so early on and nobody wanted to come on the show with me. I got three drag queens from San Francisco to fly down to Los Angeles and we got so many death threats that we had many men on stage – literally guards – scanning the audience while I performed. Elizabeth Taylor did a lot but she got on [the bandwagon] when it was good to get on board. I continue to do AIDS benefits today to shake up the younger generation, to say, ‘Don’t be such smartasses. AIDS and HIV are still part of our culture.’”

Rivers’ Hollywood connections run deep: Legendary gay actor Roddy McDowall was her daughter Melissa’s godfather and McDowall used to host star-studded salons at his home. “The only negative was he went to his grave with a lot of secrets. That would have made a great book. At his salons you’d sit at his [dining room] table and there’d be Ava Gardner on your right and Bette Davis on your left. His table held 10 or 12, depending how tight they wanted to make it, and he’d never tell you who was coming. You’d end up having dinner with Laurence Olivier and John Gilbert. It was unbelievable.”

Like a recent dinner Rivers had with two other gay icons, Cher and Kathy Griffin. “We talk shorthand because we all know what we’re talking about. We compared plastic surgeons, who’s nice, who’s a bitch, who did you wrong, who did you right. Everything.”

Just don’t get Rivers started on the demonization of Paula Deen. “I don’t get it – she said ‘nigger’ and her life is over. Mel Gibson said ‘kike’ and he went to the Golden Globes. Again, give me the rules. As Lenny Bruce said, ‘You’re a kike, you’re a nigger, you’re a wop, you’re a chink, you’re a wetback. Everybody’s something, so relax.’”

On Rivers’ Internet TV series In Bed with Joan, RuPaul recently discussed being slammed by the transgendered community for using the word ‘tranny.’

“The trannies should know that a nigger said it to a kike,” says Rivers. “Here we go again. Calm down, for chrissakes! Everybody take a deep breath.”

To this day, Rivers is grateful for her diehard gay fans. “Gay men love me because I love them so much. I was one of the early ones,” Rivers says, citing her very first album,  Joan Rivers Presents Mr. Phyllis and Other Funny Stories, from 1965 and named for her gay hairdresser. “I was one of the first to come out and say gay men are fabulous. And it’s true. They gave me a career.”

Joan Rivers hosts the July 27 Gala at Montreal's Just For Laughs Festival at Salle Wilfred Pelletier at Place des Arts

For more on Just for Laughs, visit hahaha.com
  
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MADONNA IMPERSONATOR JIMMY MOORE IMPRESSES MADGE, HEADLINES BUDDIES IN TORONTO

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North America's premiere Madonna female impersonator Jimmy Moore of Montreal wowed Madonna's inner circle at the Bell Centre (All photos courtesy Jimmy Moore)


I remember once sitting next to New York drag legend Lady Bunny as we were watching renowned Montreal female impersonator Jimmy Moore doing a drop-dead impersonation of Madonna, when Lady Bunny leaned into me and said, “Wow, she looks just like Madonna! It’s all in the eyes.”

Madonna’s longtime manager Guy Oseary
and Jimmy Moore at Montreal’s Bell Centre

That’s pretty much also what Madonna’s longtime confidante and manager Guy Oseary told Jimmy Moore, who  wows audiences with his onstage impersonations of such divas as Celine Dion, Mariah Carey, Jennifer Lopez, Lady GaGa and – especially – Madonna.

Frankly, the man IS Madonna.

And Moore was welcomed into Madonna’s VIP gold section when the Material Girl headlined Montreal’s Bell Centre in August 2012. 

 “I was already going to the show but was invited to the VIP area by a longtime fan of mine from some 12 years ago. I arrived [in Madonna drag] in a limousine, drank champagne, posed for tons of photos with Madonna fans for over an hour and everybody went crazy!” Jimmy told me.

Then Madonna’s manager Guy Oseary saw the commotion, came out and told Jimmy, “You look gorgeous!”

“And Madonna’s [fashion designer] also came out to meet me and they made me feel special,” Jimmy says, smiling happily. “It was a beautiful night and Madonna is living proof that you can do whatever you want to do, if only you work at it.”

Jimmy Moore headlines nightclubs in Montreal’s Gay Village each week, and presents one of Madonna’s most iconic tours – the MDNA tour –  at The Cabaret at Buddies in Bad Times Theatre in Toroonto, April 25-26.

Click herefor tickets, and  herefor Jimmy Moore’s official website

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FROM THE TDB ARCHIVES: AN AUDIENCE WITH PORN LEGEND TOBY ROSS

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This interview with famed porn director Toby Ross originally ran in Three Dollar Bill on September 25, 2008. It has been updated. Ross has also just published his hugely entertaining Toby Ross and the 70's: An Erotic Memoir as an E-Book on Amazon.

I love porn and longtime readers know I believe porn is healthy. Over the years I’ve interviewed many of its players, old and new, fromdirectors Chi Chi LaRue to Flash Conway, but few as insightful as director Wakefield Poole, whose 1971 film Boys in the Sand is generally considered to be the first widely available gay porno.

Porn legend Toby Ross, circa 1976
Photo courtesy Toby Ross
“What changed, what I did, was the marketing,” Poole told me some years ago. “We marketed Boys like a legit film. We put an ad in The New York Times. My God, it was unheard of. I think the Times didn’t know what they were putting in the paper because later on they refused us.”

Turned out Boys is also the only X-rated porn film reviewed by The New York Times, not to mention the first porn film to include on-screen credits for its cast and crew (though many were assumed names). Boys was also the first porn film to parody the title of a mainstream movie, 1970′s The Boys in the Band.

Then came Toby Ross, whose 1975 classic Cruisin ’57 is one of the great porn films of all time.  

“I was fascinated by nostalgia for the 1950s,” Chicago-based Ross told me. “I wanted to make a gay version of American Graffiti.”

Cruisin ’57 was originally filmed on 16mm film (“We converted that to 8 mm – you went smaller because it was sharper”) in San Francisco where Ross, born in Germany in 1955, came of age.

“It was a different world,” Ross recalls. “I was created in San Francisco. My whole personality, the gay Toby, everything.”

The following year, 1976, Ross filmed White Trash, about two teens fucking while watching Led Zeppelin’s The Song Remains the Same in a dark movie theatre. The plot isn’t much different than Ross’s own youth.

“I loved escaping to see movies beginning at the age of 9 and 10,” says Ross. “[Later when I was older] there were incidents in the theatre where men came on to me, and there were people feeling me all over and I went home and thought about it. I equated movies with sex.”

White Trash is also notable for its soundtrack featuring Led Zep. I tell Toby I’ll never listen to Stairway to Heaven the same way again.

“No one [from Led Zep] sued us,” Ross says. “At that time gay porn was considered so off the beaten track that there was no money to be made from us.”

Today, the porn industry releases dozens of new titles each week, but that doesn’t mean the quality has improved. Just look at all the free porn on the Internet.

“Some of it is very good, but 90 per cent of it is crap,” says Ross. “Today, with video cameras, every actor with a nine-inch cock wants to be a star and every director thinks they’re Cecil B. DeMille.”

Ross isn’t exactly Cecil B. DeMille either. He’s more like the John Waters of porn, a status he maintained by casting freaks and weirdoes in many of his films, one of the reasons why so many of his stars didn’t die with the onslaught of AIDS.

“Wakefield Poole used the clone type whereas I cast the runaways, the fringe homosocial scene, and they mostly survived,” Ross points out. “A lot of my friends are still around today.”

For his body of work, Ross was inducted into the GayVN Awards Hall of Fame (the Oscars of the porn world ) in 2003, and was awarded a Lifetime Achievement Award at the Grabbys (the Golden Globes of porn) in 2008.

Also in 2008. Montreal rapper Socalled  and his musician friends – the self-dubbed “Homo Supergroup” featuring Owen Pallett of Final Fantasy (and sometime Arcade Fire member), Mike Dubué of the Hilotrons, Stef Schneider of Bell Orchestre and Al Watsky – performed a live soundtrack during a midnight screening of Cruisin ’57 at Montreal’s last-remaining porn theatre, Cinema L’Amour on The Main, during that city’s famed Pop Montreal festival (watch a live clip on VIMEO by clicking here).

As for Ross, who came out at the age of 13 in 1968 to the absolute horror of his parents (“I was not loved”), he has found happiness at long last.

“I [was] grateful for the Montreal tribute,” Ross told me. “I do feel a sense of pride being one of the founders of gay porn.”

Click here for the official Toby Ross website, here for Toby’s Tumblr site, here for his Pinterest page and hereto purchase Toby’s memoir from Amazon.

Watch an entertaining clip of rapper Socalled's Homo Supergroup playing the live score at the Cruisin 57 screening at Pop Montreal, by clicking here. Renowned film historian and author Thomas Waugh introduces the film.

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QUEER NATION ROSE: REMEMBERING THE MURDER OF JOSE ROSE 25 YEARS LATER

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Joe Rose, who founded Dawson College’s Etcetera Club, was murdered on March 19, 1989.



Click here for Bugs' original story on Joe Rose in The Montreal Gazette, and here for an expanded  version in Fugues magazine.

The murder of Joe Rose will be commemorated at a demo outside the Frontenac metro station in Montreal, on International Day Against Homophobia, on May 17, 2014, at 4 p.m. Click here for the Facebook event page.
 
How the murder of Joe Rose politicized a generation of LGBT activists who changed the face of Montreal ...


Joe Rose had pink hair. That’s a detail people tend to remember about the young man who was stabbed to death in Montreal in the early-morning hours of March 19, 1989.

Rose had boarded the No. 358 eastbound bus at Atwater métro and was headed to the east-end AIDS hospice where he lived when he and his friend Sylvain Dutil were taunted and attacked by a group of teenagers.

“Faggot!” the teens shouted.

As the bus approached the Frontenac métro station, Rose, who was 23 years old, was kicked, struck on the head and stabbed to death.

Dutil escaped with minor injuries. A Montreal Gazette story from the time reported that Dutil, splattered with blood from the attack, was trying in vain to resuscitate Rose when police arrived a few minutes later.
Joe Rose was 23 when he was murdered
In a civil suit, Joe Rose’s parents claimed the bus driver did not activate the bus’s emergency signal. The city’s transit commission was eventually ordered to pay $25,000 in damages to Rose’s parents. “It is clear that the attack was foreseeable from the beginning and that it was imminent from the moment the two victims were not allowed to leave the bus,” Justice Rodolphe Bilodeau wrote in a 1996 judgment.

Four teenagers were eventually convicted of the grisly murder, but for Rose’s younger brother Geoffrey, the pain remains fresh.

“Joey had asked me to join him at (Montreal gay dance club) K.O.X. that night, but I told him I couldn’t go because (my band) was working a gig in Ste-Thérèse,” said Geoffrey, who was 20 years old when his brother was murdered. “The first thing I did when I learned my brother was dead was go over to my friend Don’s place and I cried in his basement. I’ll never forget that.”

The fatal bus attack took place during a turbulent era for Montreal’s LGBT (lesbian, gay, bisexual and transgender) community. Ravaged by HIV at the height of the AIDS crisis and grappling with homophobia, the community’s sense of being under siege was further complicated by anti-LGBT hate crimes and a string of unsolved murders.

The murder proved to be a turning point for Montreal’s gay community. The attack fuelled a rising anger and sparked a generation of activists to fight back during what are widely considered the crucible years of Montreal LGBT activism, from 1989 to 1994.

Twenty-five years later, Montreal is one of the world’s most gay-friendly places, and Joe Rose has been all but forgotten.

The Joe Rose story could have remained under the radar as just another hate crime had it not been for the work of journalist David Shannon, who at the time of Rose’s murder wrote the gay column Out in the City for the Montreal Mirror and hosted The Homo Show on CKUT Radio, McGill University’s campus radio station.

The Rolodex of gay mouthpieces was not very extensive at the time, so reporter Albert Nerenberg of the Montreal Daily News tabloid contacted me,” said Shannon. `Then other news outlets began to call, too — The Gazette, CJAD, CFCF, and As It Happens from CBC Radio, which took the story national.”

While Shannon was ambivalent about becoming a spokesperson for Montreal’s gay community, Montreal activists Roger Le Clerc, Michael Hendricks, Claudine Metcalfe and the late Douglas Buckley-Couvrette — who would become Montreal’s gay brain trust in the 1990s — had no such qualms.


On the first anniversary of the murder of Joe Rose,
the newly formed Montreal branch of the gay rights group
ACT UP organized a “die in” outside Complexe Desjardins.
(Photo courtesy The Montreal Gazette)

“Joe was murdered because he had pink hair,” said Hendricks, who with his partner, René Leboeuf, won a landmark 2004 Quebec Superior Court ruling that allowed them to become the first same-sex couple to legally marry in this province. “Everybody thought gay life in Quebec was wonderful because the Quebec human rights code had been amended to ban discrimination based on sexual orientation. We had our usual Quebec superiority and didn’t believe that these things could happen in Montreal. But they did. It’s just that no one talked about it — that is, until the murder of Joe Rose.”

Although the Rose story was garnering media attention, the revolt didn’t really begin until three months after the murder, when AIDS activists took over the opening plenary session at the International AIDS Conference in Montreal in June 1989. Until Montreal, the conference was an elite members-only event for the AIDS establishment that tended to reduce AIDS patients to statistics on spreadsheets.

The New York chapter of the AIDS Coalition to Unleash Power — known as ACT UP, a group fighting for new medical research and treatment for AIDS patients — drove up by bus for the conference. Joined by other AIDS activists, the ragtag group of about 300 protesters seized the stage at the conference, denouncing the government of Prime Minister Brian Mulroney’s “inaction” on AIDS to the world press, then publishing the Montreal Manifesto, an international bill of rights for people living with AIDS.

“Montreal was very important because of what we accomplished,” ACT UP co-founder Larry Kramer told me some years later.

The New York chapter of ACT UP also inspired Montrealers to establish their own chapter in January 1990.

ACT UP Montreal’s first major act was to commemorate Joe Rose. Said Hendricks: “We decided our first public demonstration should be in honour of Joe Rose, so we held a die-in at Complexe Desjardins on the first anniversary of his murder, on March 19, 1990.”

Some 40 protesters chanting, “We’re here! We’re queer! Get used to it!” simulated being dead outside the entrance to Complexe Desjardins. Activists drew police chalk outlines of the “dead bodies.”

Also founded shortly after the Montreal AIDS conference was the Montreal chapter of Queer Nation — named Queer Nation Rose to make it bilingual, but also as a nod to Joe Rose.

The militancy fostered by these groups set the tone in the wake of another dark day for Montreal’s gay community: the infamous police raid on the Sex Garage loft party the morning of July 14, 1990.

Some 400 partygoers — mostly gay men, lesbians and drag queens — filed outside when police busted the after-hours party on de la Gauchetière St. Then, 40 officers wielding billy clubs took off their name tags, got into battalion formation, and beat and herded partygoers, who began chanting “Gay Rights Now!” along de la Gauchetière toward Beaver Hall Hill, where another wall of officers stood stroking their night sticks in mock masturbation. In the end, nine partygoers were arrested and charged with everything from mischief to assaulting a police officer.

Two days later, when then-police chief Alain St-Germain failed to show up for a meeting with members of the LGBT community at the downtown police station, more than 400 protesters demanded to meet with mayor Jean Doré, locked arms and occupied the intersection of St-Mathieu and de Maisonneuve Sts.

This time, the Montreal media were out in full force, and what they saw was a violent confrontation between police officers and protesters. “One famous picture on the cover of The Gazette shows (a protester) being dragged off by her hair by a female police officer,” Hendricks said. “Bystanders were so horrified, they were screaming at the police.”

Photographer Linda-Dawn Hammond, who was one of the 48 activists arrested that day, described beatings inside the jail cells. “One girl had purple bruises down her arm and another had a boot print on her face,” Hammond told Hour magazine on the 10th anniversary of the Sex Garage raid.

For Montreal gay activists, Sex Garage was the last straw.

The 1990 police raid of the Sex Garage 
loft party in Old Montreal led to gay 
rights demontrations and clashes between 
protesters and police. This Montreal
Gazette photo by Len Sidaway 
captures the tension.

That night after the demo, “hundreds of people showed up at ACT UP’s regularly scheduled meeting at the (LGBT) community centre,” said Shannon. “The agenda was cleared and given over to what had happened that day.”

The meeting led to the creation of committees, demos and marches, creating a road map of activism for years to come. One of the groups founded was Lesbians and Gays Against Violence (LGV), predecessor of La Table de concertation des gaies et lesbiennes du Grand Montréal, the political-action group that was established in 1991, following a deadlocked meeting with Montreal police about a string of unsolved gay murders in the city.

The very day La Table was founded, it struck up the Comité sur la violence, comprised of Hendricks, Le Clerc, Metcalfe and Buckley-Couvrette. (There was also a fifth member, Rene Lebeouf, who stayed in the background and supported the four other members.)

“It’s clear to me that the four of us represented the gay community in Montreal during that era,” said Le Clerc, who served as director-general of COCQ-Sida from 1996 to 2002, and is currently the director of CEDA (Comité d’éducation aux adultes) in Little Burgundy. “Nothing happened in the community without people calling us for advice, or to attend their press conferences. We each had our roles: Douglas (Buckley-Couvrette, who died of AIDS in 2002) was the English spokesperson and was much more aggressive than I was. A team like ours also requires a good boy to play off the bad boy, and Michael (Hendricks) was our good boy and main strategist. No matter what action we did, our goal at minimum was we wanted page three of The Gazette and La Presse, and we achieved that most of the time.”

“Roger (Le Clerc) was the person who melded the message and strategy with the political experience that we lacked,” said Metcalfe, who served as editor of the now-defunct lesbian magazine Gazelle, and was the political attaché for Line Beauchamp when she was a provincial Liberal cabinet minister. “As the sole woman on the team, I was respected and treated as an equal at all times. We were like a hockey team, passing the puck to the each other. It didn’t matter who scored as long as we won the game.”

The committee’s biggest victory came in 1993 after Robert Bourassa’s Liberal government initially refused to hold public hearings into violence and discrimination against gays and lesbians, for which the Comité sur la violence had been lobbying since August 1992. A furious Le Clerc then mockingly invited closeted Quebec judges and politicians to join him at a big party at Olympic Stadium to celebrate “how wonderful gay life was in Montreal.”

“We held a press conference and placed the gay lover of one cabinet minister behind me, plainly visible, so that the minister would get the message that we were serious,” said Le Clerc.

The strategy worked: The government changed its stance, and the Quebec Human Rights Commission’s public hearings were held in Montreal from Nov 15-22, 1993, chaired by Fo Niemi, who today is executive director of the Center for Research-Action on Race Relations.

“After his murder, I visited the apartment Joe Rose shared with another friend,” Niemi recounted. “It was very touching and sad because Rose had AIDS and was not in the best shape health-wise or financially when he died. It’s symptomatic of the kind of bias and discrimination people lived with in those days. During the public hearings, because I felt that personal connection to his death, that helped me push much harder for the recognition of hate crimes, which have always been an issue Quebecers try to avoid talking about in an honest manner.”

The week before the hearings began, closeted Anglican priest Warren Eling was killed in Montreal by a crack-addicted hustler on the night of Nov. 8, putting the murder of gays back in the news.

“Anglican Bishop Andrew Hutchison called us, told us the police offered to sweep the murder under the carpet, but he wanted to testify at the public hearings,” said Hendricks. “It completely changed the momentum [in our favour].  Suddenly violence became the centre of the hearings. Suddenly, violence became the centre of the hearings.”

Montreal`s 1990s gay brain trust (L to R): Michael Hendricks,
Rene Lebeouf, Claudine Metcalfe and Roger Le Clerc.
Missing is Douglas Buckley-Couvrette, who died of AIDS
in November 2002 (Photo by Richard Burnett)


The Quebec Human Rights Commission published its report on the hearings, From Illegality to Equality, in May 1994. It made 41 recommendations, including on improving relations with police — which saw concrete results. The Comité sur la violence heralded a “new era of co-operation” after being given unprecedented access to police findings on the murders of 15 gay men in Montreal.

Meanwhile, La Table de concertation was key in lobbying for the 1999 passage of Quebec’s historic Omnibus Bill 32, which extended benefits, pensions and social services to same-sex couples. That led to Hendricks’s 2004 Quebec Superior Court victory legalizing same-sex marriage in Quebec, a landmark ruling that forced Ottawa’s hand. In 2005 same-sex marriage was legalized in Canada.

Fundraisers in the wake of the Sex Garage raids helped raise money to cover lawyer’s fees. Criminal charges filed against the protesters — disturbing the peace, refusing to circulate and obstructing a police officer — were eventually dropped in exchange for plea bargains. Two police officers were later disciplined by the force.

In particular, LGV’s 1990 Sex Garage march and the benefit concert – produced by Hollywood-film publicist Puelo Deir, and starring La La La Human Steps and rock band Bootsauce – laid the groundwork for Montreal’s Divers/Cité Gay Pride march, which was co-founded by Deir and Suzanne Girard in 1993. Sex Garage also inspired Bad Boy Club Montreal head honcho Robert Vézina to organize BBCM’s first Black & Blue circuit party in 1991.

“We thought everybody needed a breath of fresh air,” Vezina said.

Over the next decade, Divers/Cité and Black & Blue would help transform Montreal into a choice international gay-tourism destination famed for its tolerance and openness.

But in 1989, the year Joe Rose was murdered, this was all unfathomable.

At the time of his death, Rose was a nursing student and AIDS activist who wanted to start a Montreal chapter of ACT UP. While attending Dawson College in 1985, he founded the Etcetera Club, a safe space for LGBT students.

Geoffrey Rose with Dawson College plaque dedicated
to his brother Joe (Photo by Richard Burnett)
He was struggling with AIDS, recurring pneumonia and severe weight loss when he was killed.

“Being gay was a strong part of Joe’s identity — not a freakish quirk — and he wanted to be accepted for who he was,” Sonja Larsen, former editor of the Dawson College newspaper The Plant, told The Gazette two days after Rose was murdered.

“Joey meant the world to me, he was my personal hero,” said Geoffrey Rose. “My big brother was taken away and I don’t know how you’re supposed to heal when something like that happens in your life. As for forgiving the guys, I don’t know, man.”

Four teenagers were convicted of killing Rose. One 15-year-old was sentenced to three years in a youth home, another got 11 months, the 14 year-old got six months, and Patrick Moise, then 19, was convicted in adult court and sentenced to seven years in prison.

“There were many more murders of gay men after Joe Rose, but Joe became a symbol — and I was one of the first to use him so, because he was killed just because he looked like a homosexual,” Le Clerc said. “There was a sense of miserablism in the gay community back then, and we used Joe as a symbol to reclaim our rights and gave rise to a new militancy in the community.”

Metcalfe would go on to run Montreal’s anti-gaybashing support group Dire enfin la violence from 1995 to 2002, a time period during which the group estimated there were an average of two hate-motivated physical assaults against LGBT people per week in Montreal.

“Joe’s death was not in vain,” Metcalfe said. “It helped open our society to homophobia, much like (the 1998 murder of) Matthew Shepard did in America. (Rose’s) death marked the beginning of an era that changed Montreal. We’ve come a long way in the 25 years since his death.”

Still, Concordia University human sciences professor Gilbert Émond, author of the book L’Homophobie, pas dans ma cour! (Homophobia, not in my backyard!), said he believes Montrealers take the gay-friendly nature of their city for granted. “Even today, when LGBT couples hold hands outside Montreal’s Gay Village — in places like Place Ville Marie — it’s not just audacious, it is still a political statement,” Émond said. “Homophobia is still a problem, especially in our schools, where students are not being taught about homophobia and LGBT history.”

Which is why, despite the legacy of Joe Rose, his name has been mostly forgotten.

“Our LGBT history must be institutionalized in a curriculum so that the murders of LGBT people like Joe Rose, and the work of activists like Michael Hendricks and Roger Le Clerc, are remembered,” said Niemi. “Few people recall who they were. And we should remember them.”


Back in 2012, when this reporter visited students at Dawson College’s Etcetera Club, which was founded by Joe Rose, none of the students there knew who he was. After a quick history lesson, the students in May 2013 erected a plaque at Dawson honouring Rose.

“Over the span of 25 years, the club has helped hundreds of people,” said Zynor Majeed, who was co-president of Etcetera from 2012 to 2013. “It was a home when many of us did not have a safe one to go back to. It was a comforting place in a world that too often chose hate over love. It was a family to those who lost theirs by being who they are. It saved my life, and I have faith that it will continue to do so for many more years. 

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FACING THE ENEMA: TAKING IT UP THE ASS (CLEANLY) - AND THE PORN STAR WHO DIDN'T

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Bubble butt! How to face the enema


Gay guys have been “manscaping” this since video revolutionized porn. But only after straight men got into the act (thanks to women demanding their boyfriends look more like Jeff Stryker than John Holmes) did some heterosexual editor or pundit sit down and invent a new word for it.

How do I know it was a straight person?

Well, frankly, fags don’t invent words like "manscaping." We invent terms like "Betty Bouffant" (someone with big hair), scare-do (a hairstyle that frightens children and the elderly), and Scare-ella (an unattractive person).

But I digress.

"Your people really don’t like body hair," my father cracked when he attended his first follicle-free Gay Pride parade many years ago.

(And when all he saw were twinkies and steroid queens guzzling from Naya bottles, he quipped, "Doesn’t anyone drink beer anymore?")

While body hair, thankfully, has made a comeback, on the eve of this summer’s Pride season I do believe one should not parade around town half-mowed. If you’re going to wax, scrub and pluck your way into some studmuffin’s bed, make sure he doesn’t get razor burn while giving you a blowjob.

I clip my chest and groin, and I wax my back, especially if I’m going to the pool. Last week at my Kuwaiti waxist, I was not surprised to learn that her number of male clients getting wax jobs is on the rise.

I even referred a straight friend (Hi Max!) to her after he e-mailed me. "Hey Bugs – not to stereotype or anything, but… I need to get waxed for the beach (going on vacation on Sunday). Any place you can recommend that, um, services guys?"

Actually, speaking of male hygiene, with the amount of barebacking going on at the tubs and via online connections these days, if you’re stupid enough not to use a condom, there’s more than just AIDS to worry about. If your partner is bottoming out and hasn’t douched, you may get "painted brown", and that’s just plain disgusting.

"I’ve been there. You’ve been there. We’ve all been there (either as a top or a bottom)," porn star Michael Lucas wrote on his www.lucasblog.com website. "All of a sudden, what was a hot fuck turns into a smelly embarrassment. Your nose starts to wrinkle and it hits you – first the smell, then the utter humiliation."

Lucas continues, "You know that pulling out now could be disastrous. What do you do? …Do you say something? Or do you continue to fuck, ignoring the big brown elephant that’s just squatted in the middle of the room?"
Frankly, especially if you’re a professional bottom, it behooves you to clean out your ass before going on a first date, or making the rounds this Pride season. Show a little pride in yourself and buy an enema at your local drugstore.

(And while you’re at it, buy some lube and condoms. Yes, some assholes still don’t use lube or condoms.)

If you’re going to buy a Fleet Enema with the watery solution already in it, you can’t use it more than once every 24 hours. If you need to douche often, I suggest a rubber enema that you can fill with warm water yourself. Fill it up and squeeze, and keep repeating the process until the water coming out is clear.

Which brings me to my favourite douche-bag story.

Some years ago I asked gay porn director Chi Chi LaRue the name of the porn actor who didn’t know how to douche. It’s a story LaRue recounts with much relish in his 1997 autobiography Making It Big: Sex Stars, Porn Films and Me.

"Things were crazy on the set that day, and no one ever explained to [the rookie] how to fully complete a douche," LaRue notes. "So this guy, the poor thing, filled his butt with water and thought he was supposed to hold it in! No one had ever told him that you’re supposed to let it go and leave it all in the toilet!"

LaRue continues, "So he comes out and starts his scene and, as he’s getting fucked, the top (who shall also remain nameless, as shall the film) pulls out of his ass, and everything comes pouring out! Water, shit, the works. It was a catastrophe, the top freaked out, and the poor bottom was humiliated. I did the best I could to reassure him, but actually I was fighting not to die laughing. On the upside, the guy eventually went on to a successful film career."

I never did find out who the actor was, but I do know one thing: If you crap on your first date, you’ll never see him again.

XAVIER DOLAN KICKS ASS - AND KISSES IT - AT VENICE FILM FESTIVAL

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(Xavier Dolan. Courtesy of Ixion Communications.)

Glory be! Proud Montrealer and 24-year-old film wunderkind Xavier Dolan finds himself once again rubbing elbows with filmmaking royalty at the Venice Film Festival where this week Dolan’s latest film Tom a la ferme was awarded the critics’ prize by the Federation internationale de la presse cinematographique.

A couple of years ago, at the Cannes Film Festival, Dolan was already a star and drank it all in.

"I was at Cannes for 10 days, did 160 interviews, drank too much alcohol and smoked too many cigarettes!" Xavier told me, laughing lightly. "[Then] I had this Cannes glamour moment where at some mini-shindig I walked into some bar with Benicio Del Toro and this French actress, and suddenly my life changed. These people were [no longer up] on the screen. They’re chatting with you and you’re talking to them about cinema and your life and their life and you’re laughing [together]!"

Dolan paused.

"I don’t want to make it sound shallow, but I felt like part of a family."

That family just got more glamourous.

Dolan's award-winning film Tom a la ferme is adapted from the play by Quebec playwright Michel Marc Bouchard, a drama about a young man Tom (Dolan) who meets his lover Guillaume’s family for the first time after Guillaume’s death and he’s shocked to learn that the family has no idea of his existence and that his lover’s mother didn’t even know her son was gay.

Dolan called it “a notable honour” to receive the award.

I love how Dolan doesn't shy away from anything gay. He is proud, and I love him for it. 
As Dolan told me, with defiance in his eyes, "There is still danger today for gay people, even in broad daylight."
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THE TRUE COLOURS OF RAINBOW FLAG CREATOR GILBERT BAKER

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The LGBT Rainbow flag was created by Gilbert Baker in 1978

 
Bugs’ interview with Gilbert Baker originally ran in Daily Xtra.

The Rainbow flag is recognized by millions of people around the world as a symbol of gay liberation. But ask Gilbert Baker – the Rainbow flag creator and veteran American gay-rights activist – how he feels about his international phenomenon and he is quite modest.

Gilbert Baker (Photo via Facebook)
“The first time I saw the rainbow flag on a flag pole was amazing, but what makes a flag a flag is that it’s not mine; it belongs to the people,” Baker says. “It is torn from the souls of the people. So much art is all about branding, but mine – the Rainbow flag – it’s not about me.”

Which is why when people discover who Baker is, the love he gets is pretty much unconditional.

“I’ve been a grand marshal in New York, in Los Angeles, San Francisco, Key West, Vancouver, a lot of cities, and I never get tired of it,” he says. “Each and every time I find it emotional because people exude such love, wave after wave. People love the flag, and as creator of the flag, I get a lot of love.”


Baker created the Rainbow flag 35 years ago at the request of slain gay activist and icon Harvey Milk in 1978. After his honourable discharge from the US army in 1972, Baker taught himself how to sew and used his skill to create banners for gay-rights and anti-war protest marches.

“Harvey didn’t actually ask me to create a flag,” he explains. “Harvey’s whole thing was we needed a logo. In the mid-’70s every corporation had some kind of logo, and so we also wanted one of our own — and the rainbow worked.”

The original Rainbow flag had eight colours to symbolize diversity in the queer community: hot pink (representing sexuality), red (life), orange (healing), yellow (sunlight), green (nature), turquoise (magic/art), blue (serenity/harmony) and violet (spirit).

But the eight colours were reduced to six in 1979 because of production considerations. “We actually dyed fabric those [eight] colours for the very first Rainbow flag,” Baker explains, “but when I realized it was going to be a hit, I knew [commercially] that this [painstaking process] could not continue.

“Commercial flags are made out of nylon, and there is a palette of colours that all flags in the world are made from, maybe 25 colours. Pink is not one of them. So then we were down to seven colours. And seven doesn’t really work because it’s not balanced. So I took out the turquoise and left in the primary and secondary colours. Also, if you want the flag to become part of modern iconography, you need postcards and stuff. But in the 1970s, colour printing was insanely expensive.”

The strategy worked, and today the LGBT movement’s Rainbow flag is the world’s best-known version. But Baker has never made any royalties from his Rainbow flag because, he says, it is in the public domain.

“I don’t get royalties,” Gilbert says. “But if I did, it would change everything, and the Rainbow flag would not have the power that it does have today.”

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NOTORIOUS UK ACTIVIST PETER TATCHELL ON A LIFE IN THE LGBT TRENCHES

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Peter Tatchell getting arrested by Russian police at the 2007 Moscow Gay Pride march (All photos courtesy Peter Tatchell)

Bugs’ interview with Peter Tatchell originally ran in The Montreal Gazette.

Legendary British activist Peter Tatchell has been a thorn in the side of countless homophobes over the decades, everybody from the President of Zimbabwe, Robert Mugabe, to the President of Russia, Vladimir Putin.

But arguably some of the biggest-name homophobes who despise him most are notorious anti-gay Jamaican reggae dancehall superstars such as Sizzla, who wrote the 2005 hit song Nah Apologize about LGBT activists – and in particular, about Tatchell and myself.

Peter Tatchell
Tatchell’s international Stop Murder Musiccampaign successfully targeted Sizzla who then told me in an explosive 2004 Hour magazine cover story that went global, “Once we stoop to sodomites and homosexuals, it is wrong! Wherever I go it is the same thing – burn sodomite, burn battyman … We must get rid of Sodom and Gomorrah right now.”

That sensational interview made international news, including on the pages of Jamaica’s national newspaper The Jamaica Gleaner where I was also trashed in an op-ed. Then in his song Nah Apologize, Sizzla repeats in the chorus, “Rastaman nah apologize to no batty bwoy!”

Tatchell clearly remembers that turbulent era when many dancehall stars were targeted by the Stop Murder Music campaign.

“It took a huge amount of effort and I personally faced many death threats, even had police protection at certain times when they informed me a hit man had been sent from Jamaica to kill me,” Tatchell says. “The upshot is today the prevalence of murder music is much less than it was. We hit them where it hurts them most – in their wallets, when all those concerts got cancelled around the world.”

You might not know it from his in-your-face political tactics, but Tatchell’s political inspirations are Mahatma Gandhi, Sylvia Pankhurst and Martin Luther King. But there is no question that Tatchell – who staged the first-ever LGBT rights protest in a communist country, East Germany, in 1973 – is also inspired by the likes of Malcolm X.

“I’ve taken part in roughly 3,000 protests over the past 50 years,” says Tatchell. “You need the positive, constructive strategies of Dr King, but you also need the anger of Malcolm X to put pressure on people in power. Then you need to articulate solutions.”

At his first LGBT protest, at the World Festival of Youth and Students in East Berlin in 1973, Tatchell was the only openly-gay delegate at the conference and staged the first ever LGBT rights protest in a communist country.

 “I was only 21, but I’ve always seen queer freedom as a global battle and I hoped that [foreign] passport would protect me from any draconian punishment,” Tatchell says. “I thought it was important to highlight the struggle of LGBT people in the Soviet bloc, although I was widely criticized for it at the time by the America delegation for ‘undermining’ the struggle against capitalism and imperialism. I was even denounced at a mass rally by Angela Davis who is now an out lesbian.”

Sizzla’s infamous HOUR
magazine cover story
If Tatchell’s youthful exuberance convinced him his passport would get him out of a jam in East Berlin in 1973, what did an older and wiser Tatchel think when he was bashed by neo-Nazis and arrested at the Moscow Gay Pride parade in 2007?

“I had the same optimism I had in 1973, but with a British passport it was unlikely that I would be badly treated,” Tatchell says. “Still I knew I might get arrested and beaten up, because it happens to Russian LGBT activists all the time. They don’t have the protection I do.”

That is why Tatchell criticizes gay and straight athletes who attended the 2014 Sochi Winter Olympics. “I didn’t support a boycott because they rarely work. It would be far better for spectators and athletes to go there and protest. Disappointingly none did – apart from Russian activists. Lots of promises were made by [foreigners] but no one really delivered.”

In 1988, Tatchell set up the UK AIDS Vigil Organisation to campaign for the human rights of people with HIV, co-founded ACT UP London in 1989, as well as the queer rights direct-action group OutRage! the following year. He outed 10 closeted Anglican bishops in 1994 because they publicly supported their church’s homophobic stance, and kickstarted the global Stop Murder Music campaign that successfully targeted virulently anti-gay dancehall-reggae performers such as Beenie Man, Bounty Killer and Sizzla.

He also made international news when he outed the late soul singer Whitney Houston in a February 2012 Daily Mail newspaper essay, alleging her longtime lover was Robyn Crawford.

“I wrote that because I was so angry how [Crawford] was written out of the obituaries – this was a blatant act of self-censorship,” Tatchell says. “I had met both Whitney and Robyn in London in the early 1990s and it was obvious they were in a relationship. It wasn’t just my conclusion, it was everyone’s. One of the greatest tragedies of Whitney’s life is the way her family and church pressured her to give up that relationship. That truth needed to be told. I think it is highly probable that Whitney married Bobby Brown to dispel the lesbian rumours, and that began the downward spiral that led to her death. This is evidence that homophobia kills.”

Peter Tatchell
Tatchell is, however, arguably most famous for ambushing the motorcade of Zimbabwean dictator Robert Mugabe in London in 1999, in an attempt to make a legal citizen’s arrest on charges of torture. Unbelievably, Mugabe’s limo door wasn’t locked. “Mugabe recoiled in the back seat, holding up his hands,” Tatchell recalls. “His eyes popped and his jaw dropped. He looked terrified. I thought, ‘He thinks he’s going to be killed.’ Then I thought, ‘Now you know what your victims feel like.’”

London police did not allow Tatchell and his colleagues to arrest Mugabe, instead arresting the activists. This did not hinder Tatchell, who would attempt a second citizen’s arrest of Mugabe in Brussels in 2001. That time Tatchell was beaten unconscious by Mugabe’s bodyguards.

But Tatchell – a draft-dodger who moved to Britain from Australia in 1971 because he opposed Australia’s role in the Vietnam War – remains steadfast all these years later. Now 62, he says, “I’m still motivated by the same 1960s commitment to idealism. It still fires me up!”

He was also “humbled” to be named International Grand Marshall of Fierté Montréal Pride’s 2014 parade.

“I’m just one of many hundreds of thousands of LGBT activists worldwide who are fighting for queer freedom,” Tatchell insists. “It is our cumulative action that makes change. I don’t feel comfortable with the adulation, but I am profoundly appreciative of this honour.”

Read more about Tatchell on his official website: www.petertatchell.net


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JOHN GIORNO REMEMBERS WARHOL, GINSBERG, BURROUGHS AND KEROUAC

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Bugs (pictured here with John Giorno) interviewed John Giorno for the January 24, 2008, cover story of Montreal's HOUR magazine

John Giorno remembers the moment he met Allen Ginsberg like it was yesterday. It was 1958, and they were both attending a reception at Columbia University where Giorno was a student and editor of The Columbia Review.

Giorno idolized Ginsberg, a Columbia grad whose landmark 1956 poem Howl is one of the principal works of the Beat Generation, along with Jack Kerouac’s On the Road and William S. Burroughs’s Naked Lunch.

"When I first read Howl I was a 19-year-old gay man in 1950s America and Allen was the first writer to reflect my mind," Giorno recalls today. "I didn’t see Allen standing with his back to me, but his elbow was sticking in my rib. My girlfriend said, ‘There’s that poet you like.’ Well, he liked young boys and I was a poet and we started blabbing. He liked me. Then there was this [other] guy who put his chin on my left shoulder and it was Jack Kerouac! He’s tanned and three inches from my face."

Giorno laughs.

"I was just awestruck – On the Road had come out a year earlier. I was speechless. He looked like a tanned Marlon Brando! He leaned forward and spoke in my ear and I’m thinking, ‘Jack Kerouac’s lips have just touched my ear!’ I still don’t understand what he said!"

Giorno, now 72, would become lifelong friends with Ginsberg, Kerouac and later Burroughs, so much so that the internationally acclaimed poet has become known as one of the last living sons of the Beat Generation. "I’m a bit younger than all of them, that’s why I’m a son. But it’s one of those meaningless titles."

 It was not until Giorno – who was born into an affluent American-Italian family, and worked as a stockbroker in NYC after he graduated from Columbia – met Andy Warhol at Warhol’s first solo New York Pop show in Eleanor Ward’s Stable gallery in November 1962 that his life would change, in the process revolutionizing the world of poetry and pop culture.

Yes, that’s Giorno sleeping in Warhol’s 1963 eight-hour-long film Sleep, and that’s Giorno you see in Warhol’s unreleased Handjob, which focuses on Giorno’s face while he masturbates.

But Giorno was the originator of performance poetry and would create his Giorno Poetry Systems recording company in 1965, releasing over 40 vinyl albums and CDs of poets and musicians, including his friends Ginsberg and Burroughs, and later working with Laurie Anderson, Lou Reed, Patti Smith, David Johansen, Philip Glass and Frank Zappa.

And GPS would also revolutionize telephone information services in 1968, when Giorno created Dial-A-Poem, which had 15 phone lines connected to answering machines.

Today Giorno lives in the NYC loft he shared with Burroughs for decades, and I caught up with him at his home.

ooo
 
Hour You were the confidant of Andy Warhol. How important was he to your development as an artist and as a person?

John Giorno Extremely. I was young when I met him and figuring out what I was going to do, and he wasn’t famous then. Back in 1962 he was just this guy about to have his one-man show. I saw him every day, so I saw how he worked. By 1963 he started using found images. So I thought to myself, If he can, why can’t I? So he was a direct inspiration, even though I had studied art in school. It was [all about] seeing Andy do it live.

Hour Nobody really knows why you and Warhol split in 1964. What happened?

Giorno It was complicated. I was [the Factory's] first superstar and he was getting rid of me. It was the beginning of a pattern [for Warhol]. Burroughs came to New York in 1964 and [artist] Brion [Gysin, pictured on the cover of Burroughs's book Junk] became a lover and these two were staying at the Chelsea Hotel. It was two different worlds. And Burroughs was the door to political activism. So I went into a whole other world. [Then with Andy] it’s like, you know, they don’t answer your phone calls. Or they say, ‘I told so-and-so to invite you.’ That’s what happened. It wasn’t just one moment. There was never any fight. But that whole art world was an enormous influence on my work.

Hour Why wasn’t Warhol more openly gay in his work?

Giorno Because being gay was the kiss of death, like it still is today, sort of. Gay people were not considered fully human. We know that [artists] Jackson Pollock, Willem de Kooning, Robert Motherwell and the others thought it was not possible for gay men to be as good as themselves. Warhol didn’t want the liability of being a fag attached to his work. It’s all about economic values.

Hour What was it like for you growing up gay in pre-Stonewall America?

Giorno It was a heroic activity. I may have been called a fag or a queer but I was determined nothing was going to stop me. It became an idea to champion, especially when I met Burroughs and Ginsberg. [Being gay] is very much part of my identity. I was very radical with gay identity, though there’s less gay content in my work today.

Hour What was the first gay bar you went to?

Giorno The San Remo in NYC, which was also a literary bar. This must have been 1950-’51. Truman Capote, Gore Vidal and Kerouac went there but I was terrified to go in. But I went back the [next] week.
 
ooo
 
Giorno may dismiss the title "Son of the Beat Generation," but he admits to being very protective of the ideas and spirit of the Beat Generation.

"I am," he says. "It was a great moment in history. It’s miraculous that it happened."

Later, when I mention that Liam O Gallagher, an avant-garde sound artist, painter and teacher whose San Francisco studio was a gathering place for Beat writers in the 1950s, passed away a month earlier (on Dec. 4, 2007), Giorno is stunned into silence.

"I hadn’t heard," Giorno, 72, says.

Another one gone.

ooo
 
Hour How did you and Burroughs get along?

Giorno William was a very kind and very shy man. We had a very personal, intimate relationship that was loving, not the persona of Steely Dan [the dildo in Naked Lunch]. William had one of the most brilliant minds ever, much more brilliant than any of his books. Living with him on a daily basis for all those decades, he started drinking at 5 p.m. and I started at 6 p.m. [After] smoking a joint and drinking vodka, he spoke with great clarity and wisdom and most of that got into the books, changed to fit the story.

Hour What are your thoughts on drug use today? Crystal meth is a far cry from LSD.

Giorno The two of them together was a nice trip! [Laughs] You know, if it wasn’t for speed, Andy Warhol would not be Andy Warhol. My work also. But the reason I stopped in the early 1980s – and I was also drinking a lot – was I no longer liked the work I was making.

Hour How about photographer Robert Mapplethorpe? He was very competitive.

Giorno We were close friends but we weren’t competitive because we weren’t playing the same game. He came to visit William and he shot the photos for one [GPS] album cover.

Hour You began NYC’s AIDS Treatment Project in 1984. How devastating has AIDS been in your life?

Giorno In the early years of AIDS an enormous number of friends died. Lots has changed but it was catastrophic back then. The worst of it, the tragedy of it, the part of being a gay person, was the idea of promiscuity: When AIDS came, everything I had championed and admired was catastrophic. It came to total defeat. You get so depressed your mind just closes down. But you go on. By a miracle I didn’t get AIDS.

Hour You must be pleased you began Giorno Poetry Systems in 1965. You’ve documented so many of our great artists, not just the Beat Generation.

Giorno I was just capturing and engaging the moment with the technology of the moment. At the time it was early telephone technology and vinyl. New technology does excite me [because] the intent is a fruition of things begun in the ’60s.

Hour What do you think about the state of spoken-word today?

Giorno The last 50 years has been a golden age of poetry that never existed before in the history of the world, without exception. In the last 50 years three or four generations of brilliant poets [began] connecting to vast audiences that never existed before, especially through the Internet. Back in Baudelaire’s time they printed 100 copies of his book. From slam to rap, poetry today is beyond one’s wildest dreams.

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BOWIE'S BISEXUALITY ON DISPLAY AT AGO: "I CAN'T DENY I'VE USED THAT FACT VERY WELL"

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Photo from the “David Bowie Is” exhibit at the AGO in Toronto. Album cover shoot for Aladdin Sane (1973), design by Brian Duffy and Celia Philo, make up by Pierre La Roche. (Photo courtesy AGO)

Who doesn’t love David Bowie? Except for maybe the voters at the Grammy Awards, who snubbed Bowie during his peak creative years and finally awarded him a Lifetime Achievement Award in 2006.

The Grammys aside, Bowie is widely-revered as one of the great visionary talents of the late 20th century, and he finally gets his due in the massive “David Bowie Is” exhibition currently drawing capacity crowds at the Art Gallery of Ontario in Toronto.

The man appeals to just about everybody, alternative and mainstream, gay and straight. Like Bowie once famously quipped, “It’s true – I am a bisexual. But I can’t deny that I’ve used that fact very well. I suppose it’s the best thing that ever happened to me. Fun, too.”


I first saw the “David Bowie Is” exhibition at London’s massive Victoria and Albert Museum (The V&A) this past spring. The ticket was the fastest seller in the V&A’s history, and history appears to be repeating itself at the AGO: Evening hours have been added, a second block of tickets are now on sale and the exhibit continues to November 27 before moving on to the Museum of Image and Sound in Sao Paulo, Brazil, from January to April 2014.

The exhibition itself is breathtaking: The V&A was given unprecedented access to the David Bowie Archive to curate the first international retrospective of Bowie’s career. Over 300 objects are featured, from handwritten lyrics, set designs created for the Diamond Dogs tour (1974), to Bowie’s own instruments and album artwork. On display are more than 50 stage-costumes including Ziggy Stardust bodysuits (1972) designed by Freddie Burretti, Kansai Yamamoto’s flamboyant creations for the Aladdin Sane tour (1973) and the Union Jack coat designed by Bowie and Alexander McQueen for the Earthling album cover (1997).

The dazzling exhibit looks at how Bowie’s music and individualism both influenced and was influenced by wider movements in art, design and contemporary culture. The exhibition also shows how Bowie has inspired others to challenge convention and pursue freedom of expression.

The lay-out at the V&A was much airier and spacier than that at the AGO, which I found cramped with long line-ups. Still, this is a must-see exhibition that will easily take you a good two hours to wander through.

David Bowie is continues at the AGO in Toronto until Nov. 27. Time slots do sell out. Advance ticket purchase is highly recommended, and the best times to visit are Tuesday to Friday, 10 am to 4 pm. Click here for more info and tickets.
 
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MONTREAL'S McCORD MUSEUM ACQUIRES KENT MONKMAN MASTERPIECE

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The 24-foot long painting Welcome to the Studio: An Allegory for Artistic Reflection and Transformation by Kent Monkman


Montreal’s McCord Museum this week acquired Welcome to the Studio: An Allegory for Artistic Reflection and Transformation by Kent Monkman, an internationally renowned out-and-proud Canadian artist of Cree ancestry.

The work was created in 2013 as part of the Museum’s Artist-in-Residence program and was exhibited from January 30 to June 1, 2014.

Monkman’s massive 24-foot-long painting focuses on the relationship between photography and painting and was inspired by the work of William Notman, one of Montreal’s premier 19th-century photographers, and French painter Gustave Courbet, leader of the realist movement.

Welcome to the Studioalso comprises more than 30 portraits by Notman, chosen from the McCord Museum’s Notman Photographic Archives of some 600,000 photos.

“The project started [in 2013] when we started looking at photographs, which I began to study six months later,” Monkman told me earlier this year. “It took about two months to do the painting.”

Monkman’s painting alludes to The Artist’s Studio, the celebrated work by Courbet. Like Courbet, Monkman portrays himself in an imaginary studio studying the artistic practice of painting. In rich allegorical terms, he personifies this reflection through a self-portrait that draws on both Courbet the painter and Notman the photographer. The figures that surround Monkman, painted from more than 30 portraits in the Notman archives, are assembled using the composite photography technique of Notman while respecting the arrangement of figures in the work by Courbet.

“We did not find any male nudes in the Notman archives,” Monkman says. “But we came up with something close: male athletes. Notman didn’t photograph any aboriginals [either], so we came up with photographs of white French Canadians dressing up like Indians. We also found some photos of colourful characters with elaborate costumes and backdrops, and I realized this would all make for a really rich and interesting painting.”

The McCord launched a campaign on March 2014 to help raise the necessary funds to purchase the painting. The response was very favourable, and the work is now on display in the halls of the McCord’s permanent exhibition Montreal – Points of View.

“We are particularly happy about this acquisition,” says Suzanne Sauvage, president and CEO of the McCord..“This work is not only an allegory of the artistic practice, it’s also a form of tribute to Montreal and our wonderful collection, the Notman Photographic Archives, where Kent Monkman found inspiration. It demonstrates too the generosity of Montrealers, to whom I would like to express our sincere gratitude.”
Meanwhile, Monkman – a contemporary artist of Cree ancestry who grew up in Winnipeg before moving to Toronto – continues to prominently address aboriginal and queer identity in his art.

“My gay identity is usually at the forefront of my work; I never shy away from it, and it’s in Welcome to the Studio, although perhaps in a more subtle way,” he says. “It was fun creating this painting with phallic references, which in a way can be more erotic than just showing a penis. So just for fun [in my own portrait in the painting], I even put a huge paint brush in my hand!”

Monkman smiles, then adds, “It’s about having the biggest brush!”

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SHYAM SELVADURAI ON GAY LIFE, GAY LIT AND ADVICE OF NOBEL PRIZE WINNER ALICE MUNRO

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Award-winning author Shyam Selvadurai (Photo by Richard Burnett)

Bugs'interview with Shyma Selvaduria originally ran in the November 2013 issue of Fugues magazine
 
The last time I interviewed author Shyam Selvadurai was way back in 1998 when his sophomore book Cinnamon Gardens shot up the bestseller charts. He was a young sensation then, still riding the triumphant success of his 1994 debut novel Funny Boy.

“I experienced a lot of pressure when I wrote my second novel, Cinnamon Gardens,” Shyam told me recently. “It’s not just an external pressure, it’s also internal. You want to achieve a higher goal. Each book has its own problems and challenges. I remember I met [2013 Nobel Prize-winning author] Alice Munro soon after Funny Boy came out and she asked me how I was dealing with all the pressure. I told her I was having second-novel syndrome and Alice replied, ‘I’m having ninth-book syndrome! It never gets easier.’”

Shyam Selvadurai was born in 1965 in Colombo, Sri Lanka, then came to Canada with his family at age 19 and grew up in Toronto’s sprawling suburbs.

“Toronto has and hasn`t changed – some of the suburbs are just grim, but they are more ethnic than when I came and people have learnt to make lives for themselves,” says Shyam, who today divides his time between Toronto and Colombo where he is the founder and Project Director of Write to Reconcile, a creative writing project in English undertaken by The National Peace Council of Sri Lanka. Selvaduria spends up to five months each year in Colombo.


“The suburbs of Toronto are a grim place for immigrants, but it is a place where they – like my parents – can forge a new life. When I go back there now I don’t feel nostalgia, but I do feel contentment. I no longer live in Toronto’s suburbs so I don’t feel l trapped. When I was younger, I couldn`t wait to finish university so that I could get the hell out of there,” says Shyam, who got a B.F.A. from York University where he studied creative writing and theatre. “I even lived in Montreal for 18 months, in 1991 – 92. Then I ran out of money and moved back into my parents’ basement and wrote Funny Boy.”


When Funny Boy was published, The New York Times and London’s The Literary Review both raved, and the book would go on to win a Lambda Literary Award. “But I didn’t do the rock star thing,” Shyam says. “When people on a plane sitting next to me ask me what I do, I tell them I’m a teacher.”
 

While he is proud Funny Boy did so well, he is also a little dismissive of book awards in general. For instance, he never knew that Funny Boy was nominated and then won a Lambda Literary Award.
 
“Nobody thought to tell me!” he says incredulously. “But winning [an award] is like a lottery ticket. That’s all it is, it’s a crapshoot. Whether you win or not does not mean your book is good. The good thing about awards is it brings you more exposure, and the more exposure you have, the more books you sell, and the more time you have to write another book.”


It took Selvadurai over a decade to write his new book, The Hungry Ghosts, which he began writing in 1999. As his publisher Random House explains, “In Buddhist myth, the dead may be reborn as “hungry ghosts” – spirits with stomach so large they can never be full – if they have desired too much during their lives. It is the duty of the living relatives to free those doomed to this fate by doing kind deeds and creating good karma. In Shyam Selvadurai’s sweeping new novel, his first in more than a decade, he creates an unforgettable ghost, a powerful Sri Lankan matriarch whose wily ways, insatiable longing for land, houses, money and control, and tragic blindness to the human needs of those around her parallels the volatile political situation of her war-torn country.”


The novel centres around Shivan Rassiah, the beloved grandson, who is of mixed Tamil and Sinhalese lineage, and who also – to his grandmother’s dismay – grows from beautiful boy to striking gay man.


“As the novel opens in the present day, Shivan, now living in Canada, is preparing to travel back to Colombo, Sri Lanka, to rescue his elderly and ailing grandmother, to remove her from the home – now fallen into disrepair – that is her pride, and bring her to Toronto to live out her final days. But,” the hardcover dustjacket notes explain, “throughout the night and into the early morning hours of his departure, Shivan grapples with his own insatiable hunger and is haunted by unrelenting ghosts of his own creation.”


The Hungry Ghosts is also a very Buddhist novel, with Buddhist themes,” Shyam tells me. “It is about what it means to be like someone like me out in the world. Without being autobiographical, this book is who I am. Around the year 2000 I became very involved in Buddhism, so it became important for me to get that down. I wanted to incorporate Buddhism into a book organically, and not just as exotic trivia. I wanted it to engage the reader as literature.”


While he doesn’t consider himself a “gay author,” being gay is central to Shyam’s identity.
“When I came out I did have to deal with racism in Canada, and with the hierarchy of beauty in the gay bars,” Shyam says. “But there is always a hierarchy no matter where you are or where you go. When I came out [in the early 1980s] you could still discriminate against gay people. AIDS was a big issue, so we all developed strong survivor instincts.


“I also think in our early twenties that identity is important to you: ‘Who am I?’ You are released from your home, your family, the rigidness of your high school years,” says Shyam, who is now aged 48. “All of that has been cut from you. So as an intelligent young person you ask yourself the question. I admire that in young people. Those who don’t deal with this angst I think are dull people.


“But I never thought about my gay identity as such – I just lived it. I think how you identify first depends on which identity is under threat. Then that identity becomes primary. When it’s not under threat, then it takes its place in you.”



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HOW JANIS JOPLIN (ACCIDENTALLY) LAUNCHED CAREER OF IMPRESARIO DONALD K. DONALD

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Janis Joplin (Wikipedia)
With news this week that the long-awaited Janis Joplin biopic Get It While You Can will begin shooting in Los Angeles and San Francisco in 2015 starring Amy Adams as Joplin and with Dallas Buyers Club director and Montreal native Jean-Marc Vallée at the helm, I thought this was a good time to remember Joplin by some of those who knew her best, from many entertaining all-star interviews I've done over the years.

Donald K. Donald

For instance, legendary Montreal impresario Donald K Donald – a.k.a Donald Tarlton– got into the rock promotion business by accident backstage at the old Montreal Forum one night in 1968 when rock legend Joplin puked all over the shoes of Tarlton’s mentor, renowned local promoter Sam Gesser.

“It was the beginning of the rock’n’roll era and Sam had a hard time relating with the culture,” Tarlton, then 25, told me some years ago. “He hired me as the stage manager. Janis was drunk and threw up all over his shoes. Sam was horrified, looked at me and said, ‘Donald, you can take over all the rock stuff.’ And that was it. I became the rock promoter of Montreal.”

Tarlton’s memory of Janis backstage is one of many Joplin anecdotes I’ve collected over the years. So, 44 years after Joplin’s death (from an accidental heroin overdose, on October 4, 1970), I’ve dug up a few.

Like the time Elliot Tiber, the fabulous man who made Woodstock happen, met Joplin backstage at Woodstock. (Not only did Tiber – born Elliot Teichberg – make Woodstock happen, he was also there when NYC’s Stonewall Riots broke out in the early morning hours of June 28, 1969. What a summer he had!)

“I went backstage one night and there was Janis,” Tiber, now 79, says. “She was an idol. Her music played in gay bars all the time. She was falling-down drunk and stoned. So I helped her up.”

By the way, during that summer of Stonewall, Tiber says there was also a visible gay presence at Woodstock which, of course, the mainstream media have ignored right up until today. “There were [tens of thousands of] gay kids there,” Tiber told me. “You could see them. There was no housing, there was nudity and lots of sex going on. There was no homophobia that I was aware of.”

Meanwhile, Joplin touched the life of another well-known Montrealer, rock singer Sass Jordan who played Joplin in the smash off-Broadway musical Love, Janis a decade ago. “It was the hardest goddamn thing I ever did,” Sass told me. “It was four nights a week for three months. It was exhausting. I was never a fan of Janis until I did [the play]. Singing [like] Janis isn’t an easy thing to do but I did really, really well.”

Another Montreal native, Canadian folk icon Penny Lang, was supposed to teach Joplin how to play guitar back in the fall of 1970. But Janis died on Oct. 4 of that year at the Landmark Hotel during the L.A. recording sessions for her final album Pearl, and Joplin’s keyboardist Ken Pearson, another Montrealer who was then the love of Penny’s life, returned home without Janis.

“Once I spoke with Janis on the phone,” Lang told me when she was promoting her 2006 album Sand & Stone & Sea & Sky.  “I was in pretty bad shape. I’m bipolar and I’ve had some rough periods. I take lithium now but back then it wasn’t legal. I was looking for Kenneth and Janis was [a] great [help].”

Lang had two things in common with Joplin:  Ken Pearson, of course, and they both also loved women.

 Meanwhile, while Joplin inadvertently launched the career of Donald Tarlton, she was managed by the rock era’s first great manager, New York’s Albert Grossman, who also managed Bob Dylan, Richie Havens, The Band and Gordon Lightfoot.

“I’d see Bob Dylan in the office. And Janis was in a corner reading a book,” Lightfoot recalled when I spoke with him two days after Canwest reported on Feb 18, 2010, that Lightfoot was dead (“I was in my car driving from the dentist with the radio on when the DJ said I was dead! It became an obituary. Then they played a strain of If You Could Read My Mind. It gave me a bit of a shock”).

But I leave the final word to the late Richie havens, who co-starred in director Todd Haynes’ Montreal-filmed 2007 Dylan bio flick I’m Not There, alongside  Richard Gere, Christian Bale, Cate Blanchett and the late Heath Ledger.

When Havens returned to Montreal the following year, in 2008, to headline Oscar Peterson Concert Hall, he told me, “These [tragic deaths] have to do with stardom itself. They get the star treatment and believe that’s the way it should be. The last time I saw Jimi [Hendrix] he was deeply depressed, having management problems. If I hadn’t told him he could have his own band, he might still be alive as a studio musician. I’m sure Janis died of a broken heart. She was taken out of [her first band] Big Brother [by Albert Grossman]. But Big Brother was her family, she couldn’t bring them along and that messed her up.”

Janis died on October 4, 1970. Had she lived, she would be 71 today.

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JOAN JETT AMONG 2015 ROCK HALL INDUCTEES

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Jett's white Melody Maker guitar has been covered with various stickers over the years, including "Gender Fucker" and the black and blue Leather Pride flag


She may sing otherwise, but the truth is Joan Jett does give a damn about her reputation. That’s why we know so little about her, and so much.

She cemented her legend status with her 2006 comeback studio album Sinner on the Vans Warped tour when fans and critics alike re-evaluated Jett’s hugely important place in rock’n'roll.

"It’s very humbling that anybody will accept you at all," Jett told me at the time. "It’s overwhelming. I tend to deflect it because I don’t know how to deal with it."

This week Jett was among those announced in the 2015 class of inductees into the Rock and Roll Hall of Fame. "I'm flabbergasted,"Jett told Rolling Stone. "It can be really hard sometimes to assess myself. I'm living it and it's hard to step back and see the larger picture in terms of what the music industry thinks of me."
The other Class of 2015 inductees are Lou Reed, Green Day, Ringo Starr, Stevie Ray Vaughan, influential blues bandleader Paul Butterfield, R&B singer-songwriter Bill Withers and, for the annual early influence inductee, doo-wop group the "5" Royales.

Bugs and Joan Jett backstage
at the Vans Warped tour
at Ile Ste-Helene (circa 2006)
After her all-girl band The Runaways broke up, Jett claimed her spot in rock’n'roll history with one of the biggest number one singles of all time, 1982′s I Love Rock’n'Roll. Over the years there has been much speculation about her sexual orientation, though Jett has never really publicly outed herself.

In her cover of Sweet’s song A.C.D.C.– in the video a seductive Carmen Electra can’t make up her mind whether she wants a male or female lover – a pink sticker of two women holding hands is plastered in the centre of Jett’s guitar. Her songs Androgynous and Everyone Knowsalso  pull the curtain back further. Most of all, and perhaps the reason she’s never come out as a dyke, Jett seems to believe identity is a trap and coming out can’t tell her whole truth.

"Is it image you want, is it really me?’ she sings in Five. "I’ve fallen over something that I just can’t explain… You want me to but I can’t define desire."

However, in the years since I Love Rock’n'Roll topped the charts in 1982, Jett is sure of one thing:

"I love rock’n'roll, but the business – it’s like any business. It definitely qualifies more and more under ‘show business’ as this ‘reality’ mentality takes over the world. It’s not great," Jett told me. "They still don’t give girls in rock any recognition. All these years after The Runaways and the business still hasn’t changed."

This weerk, finally, Jett got her dues from the Rock and Roll Hall of Fame. Congratulations!

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2014 HEROES AND ZEROES OF THE YEAR

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My column on past year’s heroes and zeros originally ran in the January 2015 issue of Fuguesmagazine.


Here is my 19th annual column of the past year’s heroes and zeros. 


Hero Pope Francis, for encouraging a Synod draft to state “Homosexuals have gifts and qualities to offer the Christian community.” 

Zero The Vatican and Pope Francis, for backtracking on the Synod’s “Homosexuals has gifts” statement after coming under furious assault from conservative Catholics. 

Zero Luca Magnotta. Enough said. 

Zero The organizers of Ottawa’s Capital Pride, who ran that city’s Pride festival into the ground with an $106,000 deficit in 2014. 

HeroToronto, for hosting the world at their kick-ass World Pride 2014 festival. 

Heroes Brewers Guinness, Heinekin and the Boston Beer Co. (maker of Sam Adams beer), for pulling out of the New York and Boston St. Patrick’s Day Parades because both parades refuse to allow LGBT marchers. 

Zero Westboro Baptist Church founder Fred Phelps, who finally died. Good riddance.

Heroes The donors who contributed $82,000 to pay for a “God Loves Gays” billboard unveiled Sep. 8 in Topeka, Kansas, home of the notorious anti-gay Westboro Baptist Church. The billboard is expected to remain up until at least March 2015.

Zeros The thousands of athletes who attended the Sochi Winter Olympic Games and not once even spoke out against Russia’s draconian anti-gay laws. Apparently, winning a medal trumps everything.


Zero The International Olympic Committee, who defended the ejection by Russian authorities of Italian LGBT-rights activist Vladimir Luxuria, whose crime was walking around the Sochi Olympic park dressed in Rainbow colours. In a bit of disingenuous PR, the IOC in September added a pro-LGBT anti-discrimination clause to its host-city contract, when Principle 6 of the Olympic Charter already protected the rights of LGBT athletes.


Zero F1 boss Bernie Ecclestone for saying “I completely agree” with vicious homophobe Russian Prime Minister Vladimir Putin’s position on gay rights.


HeroMontreal singer-songwriter Rufus Wainwright, for slamming Russia’s “Gay propaganda law” onstage in Moscow on Sept. 18. He then dedicated his next song “The Gay Messiah” to his “favourite gay Russian,” composer Pyotr Tchaikovsky. Rufus follows in the footsteps of Elton John who previously rebuked Russian’s anti-gay laws onstage during a concert in Moscow before the Sochi Olympics.


Hero Former Olympic ice skater Johnny Weir, who was trashed by LGBT activists for joining NBC’s Sochi commentary panel, but behind-the-scenes secretly shot the documentary film To Russia With Lovewith LGBT athletes at Sochi.


HeroMontreal Mayor Denis Coderre, who ordered the Rainbow flag be raised at city hall in solidarity with LGBT Russians during the Sochi games. As Coderre told me, “It was the right thing to do.”


Hero Cyndi Lauper, who advocated in the U.S. Senate for the passage of the Runaway and Homeless Youth and Trafficking Prevention Act, and is the prime force behind building the new True Colors Bronx housing development for homeless young LGBT adults in NYC.


HeroUniversity of Massachussets economist Lee Badgett, who made the economic case for promoting LGBT rights at the World Bank by estimating the annual cost to India of homophobia in that country is $31 Billion or more. 


HeroTrailblazing Vermont cartoonist and graphic memoirist Alison Bechdel, who received a $625,000 MacArthur Fellowship. About her landmark cartoon strip Dykes To Watch Out For, Alison once told me, “I feel part of what my strip was concerned with over the years was to document the changes in attitude [to gay life], not just from outside, but also from the inside – how we think of ourselves.”


ZeroFacebook, for demanding drag queens, transgender people and others change their profile names to their “real names” or have their accounts deleted.


Heroes Drag queens worldwide, for taking on Facebook – and winning. Facebook not only backed down, they apologized. You’d think that since Stonewall folks would realize no one fucks around with drag queens.


HeroMichael Sam, for becoming the first out player to be drafted into the NFL. In the end, Sam did not make the St. Louis Rams’ 53-man roster.


Zero ESPN and unrepentant reporter Josina Anderson, for Anderson’s homophobic report of Michael Sam’s locker room shower habits. The report was widely condemned and blamed for Sam being passed over by every single NFL team.


Zero Michael Sam – yes, you read right – Michael, for telling GQ magazine when GQ chose him as one of their 2014 year-end ‘Men Of The Year’ cover stars, “If I had it my way, I never would have done it the way I did, never would have told it the way I did. I would have done the same thing I did at [university] — which was to tell my team and my coaches and leave it at that.” In other words, Sam says he should have stayed in his glass closet.


HeroThe CFL’s Montreal Alouettes, whose GM Jim Popp wants to sign Michael Sam to play for the Als.


HeroMontreal Canadiens owner, president and CEO Geoff Molson, who says the Habs are ready for an openly-gay player: “Everyone and everybody is welcome in the Montreal Canadiens organization,” he says.


HeroJason Collins, who became the NBA’s first openly-gay player when he signed with the Brooklyn Nets in February. Collins retired after the 2014 season. The NBA also donated all proceeds from the booming sales of Collins’ No. 98 Brooklyn Nets jerseys to two LGBT charities, the Gay & Lesbian Straight Education Network and the Matthew Shepard Foundation.


HeroAlan Turing, the gay man credited with breaking the previously unbreakable Nazi code machine called “enigma” during WWII, was pardoned by Queen Elizabeth on Aug. 19 – 62 years after Turing committed suicide because he was convicted of homosexuality and chemically castrated.  


HeroesOut thespians Sir Ian McKellen and Sir Derek Jacobi, for playing a gay couple on the smash British TV sitcom Vicious.


ZerosNigeria and Uganda, for passing draconian anti-gay laws; and Egypt, for their renewed crackdown on underground gay life.


Heroes African pop stars Salif Keita and Femi Kuti, who both publicly supported LGBT rights in Africa in 2014. “Homosexuals have the right to live and love,” said Keita, while Kuti wrote in an op-ed, “We have to keep talking about the issue of gay rights – citizens must have the right to be who they want to be.”


HeroSouth African parliamentarian Zakhele Mbhele, Africa’s first openly-gay black MP.


HeroFinland, who launched a range of Tom of Finland stamps to commemorate the “proud homoeroticism” of the influential gay artist.


ZerosPro-Russian separatists, presumed to have shot down Malaysia Airlines flight MH17 over Ukraine, killing all 283 passengers and 15 crew on board, including over 100 international AIDS researchers, activists and health workers on their way to the 20th International AIDS Conference in Melbourne, Australia, setting back the quest for an AIDS vaccine by several years.


HeroesArchie Comics and DC Comics, for pushing the envelope: In a July issue of Life With Archie, Archie Andrews takes a bullet and dies to protect his gay friend Kevin Keller from an assassination attempt; and in the new Multiversitycomics series, Batman’s son Damian Wayne –who has taken on the identity of Batman – is taunted by Alexis Luthor, the daughter of villain Lex Luthor. She questions his relationship with Chris Kent – the son of Superman – when she asks him,  “Is Batman gay? Why don’t you and Chris finally admit you love one another, Batman?”


Zero Canada Border Services Agency, for detaining British transgender woman Avery Edison in an Ontario male correctional facility after she was detained at Toronto Pearson International.


HeroesCollectif Carre Rose Montreal, for reducing assaults and gaybashings in Montreal’s Gay Village, after meeting with police and city officials.


HeroMontreal activist Ian Salt Bradley-Perrin, the Concordia University Community Lecture Series on HIV/AIDS co-ordinator who made the POZ Magazine 100, an annual list of leaders who are taking a stand against the disease.


HeroMontreal’s Phyliss Lambert, founder of the Canadian Centre for Architecture, received the Golden Lion for Lifetime Achievement at the Venice Biennale for Architecture. 


HeroCorrine Saenze, wife of top Texas anti-gay crusader Jonathan Saenz. Corrine divorced her husband to begin a romantic relationship with another woman. 


ZeroAmerican opera singer Valerian Ruminski, who was fired by Ottawa’s Opera Lyra company from their production of Toscaafter he posted homophobic comments on Facebook.


Heroes Cher and designer Bob Mackie, who (after a public falling out) reunited just in time for the second leg of Cher’s ‘Dressed to Kill’ tour.


HeroConchita Wurst, the Austrian recording artist and drag queen who won the 2014 Eurovision Song Contest.


HeroJamie Lee Curtis, who is producing a biopic about Glenn Burke, the first MLB player to come out as gay, back in 1978 before he was railroaded out of baseball for refusing to go back into the closet. On July 15, MLB finally honoured Burke as a baseball pioneer, 19 years after Burke’s 1995 death from AIDS-related causes. 


HeroDrag impresario and Trannyshack founder Heklina (Stefan Grygelko), for changing his18-year-old club night’s name to T-Shack.

HeroesJordan Tannahill, Mariko Tamaki and Raziel Reid, queer winners of 2014 Governor General’s Literary Awards.


HeroDance diva Martha Wash, who’s iconic hit song It’s Raining Men recharted in the Top 40 in Britain to protest conservative politician David Silvester, who blamed storms and floods on the passage of same-sex marriage in the U.K. This past February Martha told me David Silvester’s anti-gay proclamation was un-Christian and “laughable.” Then she said, “My gay fans have been my largest supporters over the years. They have kept me working, and I thank them for that.”


Heroes Gay Kenyan writer Binyavanga Wainaina, trans fashion models Andreja Pejic and Geena Rocero, Apple CEO Tim Cook, Australian swimmer and five-time Olympic gold medallist Ian Thorpe, lesbian Mexican-American actress Emily Rios and 1990s Brit pop idol Kavanan, and the world’s first publicly-gay imam Daayiee Abdullah, all publicly came out in 2014.


Heroes The Godfather of House Music Frankie Knuckles, Vancouver bookstore Little Sister’s co-owner Jim Deva, trans author and activist Leslie Feinberg and trailblazing stand-up comic Joan Rivers all passed away in 2014. RIP.


HOW GAY MEN DEFINED 20th CENTURY INTERIOR DESIGN

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Montreal author John Potvin’s new book explores the homes of Oscar Wilde, Noël Coward and Cecil Beaton

This story was originally published in Daily Xtra

Montreal author John Potvin was researching his new book about the homes of famous gay men around the same time he married his husband in December 2010, in the home of a close gay friend. It was here and then that Potvin’s vision for his book Bachelors of a Different Sort: Queer Aesthetics, Material Culture and the Modern Interior in Britain crystallized.

“I’d been thinking about this for half a decade, and what fascinated me about these gay male couples were their lives together,” Potvin says. “Much of what is written about gay life and queer identity is geared at the public sphere. I wanted people to understand how these men created lives within their homes.”


Bachelors of a Different Sort gives readers an inside look at turn-of-the century bachelorhood by offering case studies of the private lives and homes of several prominent gay bachelors living in Britain. All the bachelors chosen were in the creative arts — writers, actors, painters, designers and photographers — and the book includes the domestic interiors of Oscar Wilde, Noël Coward and Cecil Beaton.
Potvin, an art history professor at Montreal’s Concordia University, explores a largely unseen side of queer sexuality by showing how these bachelors used interior design to set themselves apart from the constraints of the hetero-patriarchy that surrounded them.

“Although [gay men] have been written out of the histories of design and the home, a profound sense of community was forged as a result of [them] living in these homes,” Potvin says.


Bachelors of a Different Sort begins with Britain’s Criminal Law Amendment Act from 1885, commonly known as the Labouchere Amendment, which made “gross indecency” — read: homosexuality — a crime punishable by imprisonment (look no further than the trial of Oscar Wilde) and covers the years up to 1957.

The book also explores what Potvin calls the “seven deadly sins” of the modern bachelor: queerness, idolatry, askesis (ie, severe self-discipline), decadence, the decorative, glamour and artifice. Potvin also examines the homes of such men as Wilde, Coward and Beaton to show how queer men created their own expressions of safety, comfort and productivity within their inner sanctums.

The chapter on Coward is especially effective. “Someone like Coward spent a lot of energy so that everything he chose — his clothes, his gestures — never pointed to his hidden sexuality, despite the fact that everybody knew,” Potvin says. “Ironically, Coward’s style became a template for jazz-age glamour and gay style.”

Potvin says there was also a lesbian aesthetic “with the explosion of same-sex female communities in London, Paris and Berlin. These women become much more involved in the modernist movement, which had a much more butch element to it. It’s there, but it doesn’t come into its own until the 1920s.”

Potvin will explore this lesbian aesthetic in a future book but first wants to explore how the cliché of gay men as designers and interior decorators began.


“I’ve applied for a grant to deal with that very question, so get back to me in a couple of years!” he says, smiling. “One important thing to remember about the men in Bachelors of a Different Sort is that they are not professional decorators. But gay males go into the trade because it becomes a safe milieu for them to work in, designing and decorating homes for — and the irony is inescapable — traditional nuclear families.” 

 

DISHING WITH IRISH DRAG SUPERSTAR PANTI BLISS

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Panti Bliss is the guest of honour at Toronto’s Green Space Festival’s all-drag Starry Night, co-presented by Pride Toronto on June 25


This is an expanded version ofBugs’ interview with Panti Bliss originally published in Daily Xtra

Irish drag queen and “accidental activist” Miss Panti Bliss became a YouTube sensation in January 2014 when she walked on the stage at the Abbey Theatre in Dublin and gave a touching and memorable speech on homophobia.

“Have you ever been standing at a pedestrian crossing when a car drives by and in it are a bunch of lads, and they lean out the window and they shout “Fag!” and throw a milk carton at you?” Miss Panti asked the Abbey Theatre audience rhetorically. “Now it doesn’t really hurt. It’s just a wet carton and anyway they’re right – I am a fag. But it feels oppressive.

“When it really does hurt, is afterwards. Afterwards I wonder and worry and obsess over what was it about me, what was it they saw in me? What was it that gave me away? And I hate myself for wondering that. It feels oppressive and the next time I’m at a pedestrian crossing I check myself to see what is it about me that ‘gives the gay away’ and I check myself to make sure I’m not doing it this time.”

I can relate: I live in the McGill Ghetto in downtown Montreal and I can’t tell you how many times over the years folks in drive-by cars have screamed “Faggot!” at me at the corner of Parc Avenue and Milton.

The video of Panti's speech went viral — it has been seen more than 700,000 times on YouTube — and landed her a North American lecture tour.

Upon her return to Dublin, publishing house Hachette Books Ireland asked Panti (aka Rory O’Neill) to write her memoirs, Woman in the Making.

“The turnaround on the book was less than six months,” Panti says. “But saying I cashed in suggests I was given loads of money, and I wasn’t. It is part memoir, part rant. And I have two chapters about the aftermath of my lecture at the Abbey Theatre. It was an insane period in my life, exciting and exhilarating.”

Panti cross-promoted the book during her recent Canadian lecture tour (watch the video below of her Feb. 16 lecture at Montreal's Concordia University, “Gender Performed: A Conversation about Sex, Gender, Theatre and Politics”).

“The turnaround on the book was less than six months,” Panti says. “But saying I cashed in suggests I was given loads of money, and I wasn’t. It is part memoir, part rant. And I have two chapters about the aftermath of my lecture at the Abbey Theatre. It was an insane period in my life, exciting and exhilarating.”


“It’s a conversation about gender, a topic I’ve spent a lot of time thinking about over the years, whether it is socially constructed and something we just learned to perform. I’ve never been happy with the descriptions people generally use to describe what I do because I’ve never felt like I’m impersonating a female. That is something that is thrown at drag queens sometimes by a subsection of feminists: ‘Isn’t it like blackface?’”

O’Neill is having none of that.http://ads.pinktriangle.ca/www/delivery/lg.php?bannerid=9052&campaignid=2587&zoneid=296&loc=http%3A%2F%2Fwww.dailyxtra.com%2Fcanada%2Farts-and-entertainment%2Fpanti-bliss-graces-montreal-99067&referer=https%3A%2F%2Fwww.google.ca%2F&cb=29c614626f

“First of all, there’s a billion kinds of drag queens in the world with different motivations, and some of them might be horribly misogynist, so I can only speak for myself. When I’ve done drag, I’ve always rejected terms like ‘female impersonator’ because that’s not what I’m doing. As for drag queens being bitchy, they’re just being themselves! If I am parodying anything at all, it is the tools our society expects women to use to express their femininity. What I’m really doing is taking those tools — makeup, big hair and sequins — that our society decided women have to use and that men are not allowed to use.”

O’Neill agrees that some drag queens cross the line. “Part of the problem is the bar for entry to drag is set pretty low. Most people don’t see drag or much of it, and when they do, it’s usually in some trashy bar. Other queens are just out to have a good time and put little intellectual thought into what they’re doing. They just see it as a way to get a few free drinks. But how can you compare what a Taylor Mac does to your trashy drag queen in a club? There are so many different kinds of drag queens.”

Meanwhile, O’Neill is of two minds when it comes to using the word tranny. In 2013, on Joan Rivers’s internet TV series In Bed with Joan, RuPaul discussed being slammed by the trans community for using the word. “The trannies should know that a nigger said it to a kike. Here we go again. Calm down, for chrissakes! Everybody take a deep breath,” Rivers later told me in Daily Xtra.
Bugs with Panti Bliss 

“That issue is really complicated because it’s two different worlds colliding,” O’Neill says. “It’s interesting that a lot of the trans people who were okay with using the word were the ones who came into their trans identity a long time ago, pre-internet. A lot of trans people at that time came up through the drag-genderfuck scene, then emerged one day and said, ‘I’m a trans woman.’ In that world, the term tranny isn’t specific to trans people; it’s a catch-all word for all people who don’t fit into the gender binary. Other people outside that community have taken that word and turned it into an insult. The problem is, certainly in the world I run in, there are lots of people who identify as tranny, not as trans. They don’t believe they are a woman; they are something else, and they call themselves ‘tranny.’

“When I am at a party and my friends don’t know that a person identifies as trans or as a transvestite or drag queen, they’ll say, ‘Oh, there are trannies in the corner.’ If I am hanging out with my genderfuck friends, they’ll get annoyed if I don’t use the word tranny. That said, I would never call anybody a tranny in public. I don’t want to upset or hurt anybody.”

Panti also lived in Tokyo for four years in the early 1990s. “I was doing more art-school drag at the time, and going to Japan offered an opportunity to change that. I was in a double-act with an American queen from Atlanta, Georgia, and our shtick was we were foreign drag queens. We did the club circuit, but we also ended up in pop videos and fashion shoots. At that time Cyndi Lauper was touring her 1994 greatest hits album Twelve Deadly Cyns...and Then Somewhich included a reworked version of Girls Just Want to Have Fun with a reggae vibe, and in the U.S. video for that there were a bunch of drag queens. As you can imagine, Cyndi Lauper is extremely popular in Japan, and she wanted drag queens on stage with her when she performed on this Japanese TV show. So they found us. After the TV show she hired us to perform on her tour of Japan.”

I couldn’t let Panti go without asking her if men around the world are now throwing themselves at her feet. “God I wish!” Panti replied. “God, no! Drag, as I am sure you are well aware, isn’t great for someone’s sex life. Sometimes I think (my notoriety) has made Panti even more intimidating, But if I must I can always turn to the tranny chasers… Are we allowed to say tranny chasers anymore?”

Panti Bliss is the guest of honour at Toronto’s Green Space Festival’s all-drag Starry Night, co-presented by Pride Toronto on June 25. Click here for more details.

HOLLYWOOD HEARTTHROB TAB HUNTER SETS THE RECORD STRAIGHT

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Tab Hunter's bestselling 2005 autobiography Tab Hunter Confidential has been transformed into a documentary film directed by Jeffrey Schwarz, and will screen at L.A.’s Outfest on Hunter’s 84th birthday, July 11, 2015


This interview with Tab Hunter originally ran in Three Dollar Bill on November 24, 2005

When I learned a couple years ago that 1950s matinee idol Tab Hunter was going to come out in his forthcoming memoirs, I told my friend, author Felice Picano, who’d had lunch with the onetime Hollywood heartthrob. 

"He’s a wonderful man," Felice told me, which only made me want to interview Tab Hunter even more. 

Well, I finally got to blab with Hunter last week, the day after he returned home to Santa Barbara after a cross-country U.S. book tour to promote his bestselling memoirs, Tab Hunter Confidential: The Making of a Movie Star (Algonquin Books). I can’t even begin to tell you how terrific Hunter’s autobiography is, an immensely frank and entertaining read that, Hunter proudly tells me, has just been ranked Amazon’s number two pick for best books of 2005. 

"I thought about writing my memoirs a long time ago but didn’t have the guts," Hunter explains. "Then when I heard someone else was going to write a book, I said what the hell. I hate talking about my private life but I had to do it [come out]. I had to be fair." 

Tab Hunter Confidential tells the quintessential Hollywood fairytale of a gorgeous young kid – in this case a young Art Gelien – who was named Tab Hunter by Henry Willson, the (in)famous Hollywood agent who also created Rock Hudson and Rory Calhoun, sex symbols who became known as Harry Willson’s boys. Along the way, Hunter publicly dated the likes of Debbie Reynolds and, by the age of 25, he was a number one box office draw who’d even had a number one hit single with the song Young Love



"The studio system was an incredible thing," Hunter recalls. "I was very fortunate to be part of that era. Jack Warner conducted his symphony as he saw fit. He had a whole publicity wing to build you. It’s a totally different ballgame today. They’re corporate now. You can’t compare old and new [Hollywood]." 

"Even in Hunter’s heyday, people joked about his synthetic persona the way we joke today about teenybopper acts like Jesse McCartney and Ashlee Simpson," Salon recently noted. "When Hunter’s fame began to dim, he resorted to cheesy B-movies with titles like Operation Bikini and an endless grind of dinner-theatre engagements that helped him pay the rent and support his ailing mother. For all that, Hunter seems astonishingly free of bitterness." 

Today Hunter is the happiest he’s ever been, and being out of the closet has a lot to do with it. Back in the 1950s, when homosexuality was still illegal, Hunter led a double life, though he never went as far as his onetime boyfriend of two years, Hollywood immortal Anthony Perkins, who even got married and had a family. 

"I was a little frightened of being blackmailed, but you have to stay your course as best you can," says Hunter. "Jack Warner never ever said a word to me, whereas Paramount said words to Tony. [Director] George Abbot didn’t want me in Damn Yankees because I was too gay. When George fired me, Jack said, ‘Wait a minute, I bought Damn Yankees for Tab Hunter.’ When I was in [the scandal rag] Hollywood Confidential, Jack told me, ‘Today’s headlines, tomorrow’s toilet paper.’ That was the closest he ever came to talking to me about my sexuality. But yes, there were two personas – I was Tab Hunter, no question about that." 

Still, Hunter, now 74, did not want to go down in history like Perkins, who died of AIDS in 1992. "When Tony’s [autobiography] came out, I tell ya, a lot of it was bunk. Everybody puts their spin on stuff." 

As Hunter writes in his own memoirs, "Nothing came between Tony and his career." 

Hunter is stunningly honest in Tab Hunter Confidential, which is chockfull of personal anecdotes about everyone from Tallulah Bankhead ("She became a caricature of herself") and Rudolf Nureyev ("I felt terrible when he died of AIDS") to Gary Cooper and John Wayne. 

Some of his kindest words are reserved for Divine, the late drag queen immortalized in the films of director John Waters. Waters, who cast Hunter opposite Divine in Polyester and Lust in the Dust, recently said of Hunter, "Making out with Divine, that’s beyond the bravery of coming out." 

When I bring that up, Tab cracks, "When John asked me ‘Do you want to kiss a 350-pound transvestite?’ I said, ‘I’ve kissed worse.’" 

These days, Hunter, a staunch Catholic, lives with his partner of over two decades, Allan Glaser, and has been quoted by the gay press as being against gay marriage. 

But when I question Hunter about that, he replies, "I think [gay marriage] depends on the person. It’s their choice. God gave us a wonderful thing called free will. Let’s hope we make good choices."

twitter.com/bugsburnett

2013 HEROES AND ZEROS OF THE YEAR

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Vienna’s Leopold Museum courted controversy with its Nude Men from 1800 to Todayexhibition


Here is the expanded version of my 18th annual column of the past year’s heroes and zeros which originally ran in the January 2014 issue of Fugues magazine.

Zero Lebanese security forces, for using discredited “anal probe” exams to test for proof of men being gay. The doctor checks for traces of sperm, and takes a picture to ‘study’ the shape of the hole – the larger the width the more ‘likely’ the person is gay. Human Rights Watch says the tests amount to humiliation and torture.

Beth Ditto married her longtime partner

Kristin Ogata in April

Zeros The Gulf states of Bahrain, Kuwait, Qatar, Oman, Saudi Arabia and the United Arab Emirates, who are developing a medical test to “detect” homosexuals. Yousouf Mindkar, director of public health at the Kuwaiti Health Ministry, told the Kuwait newspaper Al Rai in October, “Health centres conduct the routine medical check to assess the health of the expatriates when they come into the Gulf Cooperation Countries. However, we will take stricter measures that will help us detect gays who will be then barred from entering Kuwait or any of the GCC member states.”

Zero Greece, for reinstating laws to arrest anyone suspected of having HIV. The law also allows authorities to publicize the names of HIV-positive people, and have them evicted from their homes.

Zeros The 1,000 people who protested same-sex marriage in Haiti (which currently bans SSM). Days later, across the Caribbean nation, Haitian gangs beat 47 gay men with machetes, sticks and iron bars, then looted and burned down many of their victims’ homes.

Zeros The 1,500 extremists who firebombed police protecting 150 LGBT activists taking part in an Oct 20 Gay Pride march in Podgorica, the capital of Montenegro. 

Zero India'’s Supreme Court which on Dec 11 reinstated a ban on gay sex, reversing a landmark 2009 Delhi High Court order which had decriminalised homosexual acts. According to Section 377, a 153-year-old colonial-era law, a same-sex relationship is an “unnatural offence” and still punishable by a 10-year jail term.

Heroes The 3.5 million people who attended the largest Gay Pride parade in the world, in Sao Paulo, Brazil, on June 2.

Zeros The Ugandan Parliament, for passing that country’s Anti-Homosexuality Bill on Dec 20. The bill, which must be signed by President Yoweri Museveni to become law, calls for life imprisonment for “aggravated homosexuality” and jail for all citizens who do not report homosexuals to the authorities.

Heroes The 100 people who marched in Uganda’s second annual Gay Pride parade, on Aug 3 in Entebbe. Police did not break up this year’s march.

Hero France, which legalized same-sex marriage on May 18

Zeroes French far-right militants who attacked journalists at protests against gay marriage in Paris on May 27. Some 350 people were arrested.

Zero The Canadian International Development Agency, which paid $544,813 to Crossroads Christian Communications, an Ontario-based evangelical group that helped dig wells and build latrines in Uganda. However, Crossroads describes homosexuality as a “perversion” and a “sin.” After news of the funding broke in February, Canada’s International Cooperation Minister Julian Fantino tweeted, “I have asked officials to review this organization before further payments are made.”

Heroes The participants in the October 2013 Miss Jacaranda Drag Queen pageant in Zimbabwe, where sodomy is a crime and president Robert Mugabe says gays should be castrated. The winner was a 17-year-old whose stage name is Ezmerald Kim Kardashian. The event was the grand finale of ZimPride week, held discreetly in an isolated farmhouse on the outskirts of Harare.

Heroes The highly-strategized grassroots campaign and its supporters around the world who helped free filmmaker John Greyson and Toronto doctor Tarek Loubani from jail in Cairo.

Zero Globe and Mail columnist Margaret Wente, who outed John Greyson in a nasty Oct 8 column, before Greyson and Loubani even left Egypt. The rest of the media kept mainly quiet about Greyson and Loubani’s sexual orientation – even though Greyson was very publicly gay (I interviewed him for an HOUR magazine cover story as far back as 1997). 

Zero The Israeli cabinet, which on Dec. 8 voted down two bills that would have expanded LGBT rights in the workplace and housing. The defeat came just days after the Knesset failed to pass a measure that would have granted gay parents the same tax breaks as heterosexual parents.

Zero Pakistan, for blocking that country’s first gay website, Queerpk, deeming it “against Islam.” Homosexuality is illegal in Pakistan.

Zero Tumblr, which in July banned the tags “gay,” “lesbian” and “bisexual” on mobile apps.

Hero McGill University’s Dr. Nitika Pant Pai and her team, who in October received a $30,000 award from the Accelerating Science Award Program in Washington, for creating a mobile app called HIVSmart to assist people as they take a home HIV test. Users are guided through a confidential process of self-testing, which contains information, instructional videos, a 24-hour help line and confidential linkages to care and counselling. 

Hero Vancouver’s Dr. Julio Montaner, a global leader in the fight against HIV and AIDS, who on Aug 21 was presented with the prestigious 2013 Frederic Newton Gisborne Starr Award by the Canadian Medical Association.

Zero Pope Benedict XVI, whose virulently anti-gay papacy ended on Feb 28. The former pope’s staff declined to confirm or deny La Repubblica claims that Benedict’s resignation was over the discovery of a network of gay prelates in the Vatican, some of whom – the report said – were being blackmailed by outsiders.

Zero Pope Francis, “Person of the Year’ for both Time and The Advocatemagazines and whom I originally ranked as a “hero” for stating in July, “If a person is gay and seeks God and has good will, who am I to judge him?” But one line does not make a man, nor does it reverse the Roman Catholic Church’s still-operational anti-gay policies.

Zero Pasta-maker Barilla CEO Guido Barilla, who said LGBT people had no place in his company’s TV commercials, and added “they can go and eat another brand.”

Zero The U.S. Boy Scouts, which while lifting the ban on gay youth members, will maintain its ban on gay adult leaders when its new resolution takes effect on Jan. 1, 2014.
Hero Kathleen Wynne, who became Canada’s first out LGBT premier when she became the premier of Ontario on January 26.

Zero Polish democracy icon Lech Walesa, who provoked outrage in March when he said gays should sit at the rear of parliament or “behind a wall.” Walesa added gays have little significance as a minority and must “adjust to smaller things.”

Hero Convicted Wikileaks leaker Bradley Manning, who announced he would undergo hormone therapy and live as a woman: “I am Chelsea Manning, I am a woman.” 

Zeros The mob who attacked 17-year-old cross-dressing Dwayne Jones in St. James, Jamaica, on July 22. Jones was “chopped and stabbed” to death, the rest of his body dumped in the bushes. 

Zero Jodie Foster, for finally coming out, but in a passive-aggressive speech at the 2013 Golden Globes, in which she also defended noted homophobe Mel Gibson, rumou-red to be the biological father of her two sons.

Zero Alternative singer-songwriter Michelle Shocked, who lived up to her name when in March she said onstage in San Francisco, that same-sex marriage will be the “downfall of civilization.”

Hero Vienna’s Leopold Museum, which presented its hugely successful Nude Men from 1800 to Today exhibition, despite a massive public outcry over its Vive La France promotional poster by French artists Pierre & Gilles which depicts three footballers wearing nothing but blue, white and red socks and soccer shoes. So posters of the three men were covered with lines of red tape to hide their crown jewels.
Billie Jean King is going to Russia

Zero Charles Lapointe, former head of Tourism Montreal who was heavily criticized in a Quebec auditor-general’s report for lavish spending at the taxpayers’ expense. Then in November, Lapointe – who helped put Montreal on the international gay map and received the Hanns Ebensten Hall of Fame Award from the International Gay and Lesbian Travel Association in May – heeded calls for his resignation as president of Montreal’s arts council.

Zero Russian President Vladimir Putin for signing and enacting anti-gay laws in Russia on the eve of the 2013 Sochi Winter Olympic Games. Calls for protests and boycotts have fallen on deaf ears in the head offices of Sochi’s corporate sponsors and TV broadcasters, as neo-Nazis continue to bash, torture and kill LGBT people across Russia with impunity. 

Hero Billie Jean King, appointed by President Barack Obama as the LGBT spiritual leader of the American delegation to the Sochi Olympics. Obama himself will not attend the Sochi Winter Olympics. The presidents of France and Germany, as well as the prime ministers of Belgium and Canada have also declined to attend the Sochi games.

Heroes Lady Gaga, Madonna and especially Elton John (watch the clipof Elton below) for speaking out in support of LGBT rights while performing in Russia. Meanwhile, a Russian court fined the promoter of a Lady Gaga concert for “propaganda of alcohol consumption and homosexuality.”
 
Hero The U.S. Supreme court, for striking down both California’S Proposition 8 and the anti-gay federal Defense of Marriage Act, on June 26. The New Yorker magazine celebrated the double-victory by publishing artist Jack Hunter’s “Moment of Joy” painting – which features Sesame Street duo Ernie and Bert –on the cover. 

Rod Stewart looks up at my "Dear Rod" open letter

on the big screen, just before singing "Sailing" at

his Dec. 14 concert at Montreal's Bell Centre
Heroes Hollywood actor Jim Nabors, Doctor Who star John Barrowman, Puerto Rican boxer Orlando Cruz, LGBT activist and gay icon Larry Kramer, and Gossip lead singer Beth Ditto all married their same-sex partners in 2013.

Hero WNBA basketball superstar Brittney Griner and NBA centre Jason Collins (on the cover of Sports Illustrated); MLS Los Angeles Galaxy soccer player Robbie Rogers; WWE wrestler Darren Young; famed record executive Clive Davis; and actors Victor Garber, Raven Simoné of The Cosby Show, Maria Bello, Maulik Pancholy, Andrew Scott and Wentworth Miller all publicly came out in 2013. Not surprisingly, in related news, a January 2013 Université de Montréal study reported that gay men who come out of the closet are less stressed and depressed than heterosexual men.

Zero The Village Voice, for laying off my friend and colleague, famed gossip columnist and NYC icon Michael Musto, who bounced back with new columns for both Out.com and Gawker.com. Michael is living proof you can't keep a good bitch down.

Hero Netflix, for launching its critically-hailed original series Orange is the New Black which features the transgender character Sophia Burset.

Hero Cher, for her latest comeback which she appropriately launched by performing at the NYC Pride Pier Dance on June 30. 

Hero Rod Stewart, for singing The Killing of Georgie (Pts. 1 & 2) at his Dec 14  concert in Montreal, after I wrote him an open letter in The Montreal Gazette:  “I just want to say that if ever a straight boy deserved to be called an Honorary Gay, it’s our boy Rod, who holds a special place in rock’n’roll queerdom: His 1977 hit song The Killing of Georgie (Pts. 1 & 2)– an elegy for a murdered gay friend – was the first-ever Billboard Top 40 song about gay characters."Before he sang Georgie, Rod dedicated the song to “my friend, Richard Burnett.” He also dedicated the song Sailing to me. Read all about it in my follow-up story in The Gazette, as well as in Ultimate Classic Rock. 

Heroes Toronto’s Fab magazine (which ran many of my Three Dollar Billcolumns over the years) folded; and National Lesbian and Gay Journalists Association president Michael Triplett, revered Montreal actor and author Greg Kramer, trailblazing journalist Doug Ireland, closeted NYC mayor Ed Koch, legendary Las Vegas female impersonator Kenny Kerr, Grammy-winning superstar DJ Peter Rauhofer, and Bernard Gadua (who published Montreal’s now-defunct LGBT publication Orientations) all passed away in 2013. RIP.

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